Butterscotch Records, Record Retailer Touch Vinyl, Audeze Headphones And UCLA Radio Team to Present Music & Hi Fi Event

(photo by Christopher Vetur, who is forgiven for the fingers on the grooves)

A record label, a record store, a high end headphone manufacturer, a college radio station and a well-respected mastering engineer team up with recording artists to present an event touting live music and high quality sound from vinyl records.

Am I dreaming? No. This is the kind of event the audio industry has talked about for decades. I remember David Chesky telling me "You should rent a U-Haul truck and tour colleges with a good audio system to expose young people to the pleasures of listening to well-reproduced music."

When I asked who will pay for this adventure he had no answer.

Now look! First, here's what Butterscotch Records' Allen Farmelo says:

“In our era of compressed MP3s and horrible earbuds dangling from phones, I’m thrilled that people will get a chance to hear our records in analog on some of the best turntables and headphones available. With vinyl and turntable sales skyrocketing, clearly people are craving hi-fidelity experiences again, and we hope to provide a hi-fi experience without the snobbery too often affiliated with it.”

Good for you Allen, but keep in mind that most of the "snobbery" is projected upon the experience by those who are threatened by quality.

Mr. Farmelo's Butterscotch Records is teaming up with the Audeze Headphone folks, UCLA Radio, the Los Angeles vinyl retailer Touch Vinyl and the label's recording artists Graph Rabbit and Wilco's Mikael Jorgensen for the February 22nd event.

The artists will perform live and at special high-end turntable listening stations set-up by Audeze, attendees will get to hear great sound. Also attending will be Masterdisk mastering engineer Alex Deturk.

The press blurb goes on to say "...an event that will celebrate the rising interest in high-fidleity, vinyl and the revival of craft-class record making!"

How great is this? I hope they've got decent turntables properly set up. If you are in L.A. please stop by and let me know!

COMMENTS
avrcguy's picture

but as you brought out, I hope they do it right. Far too many people "think" they know how to setup a table. I feel like I have a pretty firm grasp on it, but even I, (as was apparent by my SRA/Stylus misidentification last week) still have some learning to do.

Michael Fremer's picture

Me too!

audiof001's picture

Yes, I hope they set those tables up right... Hope they have a copy of our Mr. Fremer's DVD!

volvic's picture

Michael I am sure you have seen this and commented on it, but this is about to be launched by Soundsmith called the Cartright, along with a test album this contraption will allow you to optomize VTF, Azimuth, Overhang and Stylus and Rake in what appears to be a very easy and efficient manner.   If this works then we are headed towards the day when all of us will be able to set up our tables optimally and never have to tweak again.  Any thoughts? I know other readers have mentioned this item before.  I attach the link below.  

Nick

http://www.sound-smith.com/cartright/index.html

Michael Fremer's picture

"Cartright" are anxiously awaiting the introduction. It's been promised for a few years now. As soon as it becomes available we'll try to get one for review.

my new username's picture

people will get a chance to hear our records in analog on some of the best turntables and headphones available.

Take a normal citizen and inform them of the prices of "the best" and if they don't faint, wave it all off as ridiculous that you'd "need" to spend a lot of money for good sound.

I'd rather see this effort run with modest equipment. It would still be impressive. More so, I think, for the intentions.

thirtycenturyman's picture

There's a lot if entry level gear that sounds pretty damn good. I run a vintage Thorens deck, with an upgraded arm and a nice sub-$200 cartridge and it sounds pretty decent. In fact, I've put it head to head against a $10k+ deck and although the difference was really obvious to my ear, it was subtle and I can be justifiably content with my setup until income allows for an incremental upgrade. It's amazing how far entry / mid level hifi gear will go, if set up (and matched) properly. The best thing that I could hope will come from this is some better quality recordings and pressings from newer artists. I'm very leery of anything that doesn't advertise a pressing plant on the wrapper (or hasn't been reviewed on here) as I've been burned quite a few times. The worst album I've ever purchased was Arcade Fire Suburbs. The music is some of my very favorite, but unfortunately the recording and pressing are both complete shite.

thomoz's picture

"It's amazing how far entry / mid level hifi gear will go, if set up (and matched) properly. "

This is the key to good audio playback, synergy and optimum setup. I have never felt the need to spend a fortune, but the tweaking of the setup makes for a great hobby.

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