Beatles

Sort By: Post Date | Title | Publish Date
Filed under
Michael Fremer Posted: Apr 18, 2016 0 comments
Yes, this is slightly off topic, but at AXPONA 2016 Prudence Farrow Bruns, who inspired John Lennon to write "Dear Prudence" signed copies of her book "Dear Prudence The Story Behind the Song" and I thought you'd enjoy watching our "The Marketplace" encounter.

Filed under
Michael Fremer Posted: Dec 08, 2012 30 comments
It's June of 1964. Beatlemania is sweeping America. You've just graduated high school and are getting ready for college. You're trying to grow up, you're listening to jazz, but you've been pulled into this teen craze by the music. Not since Elvis, the Everly Brothers and Roy Orbison has your world been so rocked.
Filed under
Michael Fremer Posted: Sep 02, 2014 19 comments
Back in 1964 American buyers of the mono "A Hard Day's Night" Soundtrack album (United Artists UAL 3366) got a better deal than did the ones who bought the "stereo" version. While the latter's instrumentals were in true stereo the Beatles songs were mangled by UA engineers into versions that were electronically reprocessed for stereo.

Filed under
Michael Fremer Posted: Dec 12, 2012 40 comments
I just got off the phone with Record Technology Incorporated's owner Don MacInnis regarding the stamped lacquer used to press A Hard Day's Night and only that album.
Filed under
Michael Fremer Posted: Sep 03, 2014 19 comments
"Product", "Filler", whatever you want to call it, the appropriately titled Beatles For Sale was a "have to meet the two album a year schedule" interim album due out for the 1964 Christmas season—a hodgepodge return to covers, George really asserting his country and western licks, John feeling his inner Bob Dylan, John and Paul channeling the Everly Brothers, Ringo given a real chance to stretch out in the percussion department and Paul rocking, rolling and screaming on reissue and breaking your heart on one of his achingly beautiful ballads.

Filed under
Michael Fremer Posted: Oct 17, 2013 18 comments
Exhibitors at The Consumer Electronics Show in Las Vegas and at RMAF have been using reel to reel tape as source material. Some use Tape Project tapes, which we know are copies of copies of actual master tapes licensed by and supplied by the record labels. Yarlung is also doing this.
Filed under
Michael Fremer Posted: Nov 29, 2012 26 comments
This album stiffed when first released in the Spring of 1970. While it was hyped as the "last Beatles album" everyone knew it was recorded before Abbey Road, even if they didn't know the messy history behind it. And by the time the album was released the Beatles had broken up.
Filed under
Michael Fremer Posted: Nov 26, 2012 17 comments
Authenticity required this album to have a "Capitol" label since it was not originally issued in the U.K. There, the five tunes on side one comprised a double 7" EP issue containing the songs from the "Color Television Film called 'Magical Mystery Tour'".
Filed under
Michael Fremer Posted: Nov 30, 2012 35 comments
The Beatles' early output was as confusingly presented as it was prolific. That was true on both sides of "the pond." In America, Capitol Records at first decided to pass on The Beatles. In the U.K. singles didn't make it onto albums.
Filed under
Michael Fremer Posted: Dec 20, 2012 5 comments
Recorded live at Abbey Road in fewer than ten hours in February of 1963 at a cost of around £400 and issued on March 22 (my Beatles birthday present), Please Please Me captured all of the raw energy of The Beatles playing live at The Cavern Club, though on stage they didn't put the vocals in one P.A. speaker and the instruments in the other!
Filed under
Michael Fremer Posted: Nov 18, 2012 11 comments
Yesterday was a waste case for listening. I powered up the stereo and what came out was so bad I couldn't review anything. I'm not kidding. I tried everything: various turntables, cartridges, digital and nothing sounded good......So I went upstairs and watched this fascinating BBC documentary on the life and times of George Martin. There's been an anti-George Martin backlash of late from people who think he takes too much credit for their success, but watching this makes obvious that these people are making stuff up. He certainly doesn't here.
Filed under
Michael Fremer Posted: Nov 20, 2012 29 comments
Of course Sgt. Peppers Lonely Hearts Club Band was The Beatles' and George Martin's creative and technological pinnacle and the album most cite as their greatest, but there's plenty to be said for Revolver being their best and most consistent collection of songs and performances.
Filed under
Michael Fremer Posted: Nov 27, 2012 49 comments
I've fed you another piece of misinformation fed to me by someone involved in this project but I can't remember whom: at first I was told RTI pressed these records. But that had to be walked back. Then I was told, no Rainbo pressed but RTI plated. Now I've been told by RTI's Don MacInnis that, no RTI didn't plate them either. Sorry about that.
Filed under
Michael Fremer Posted: Sep 02, 2014 11 comments
Though the two originals have plenty of "mileage", they don't sound "chewed" and a great deal of high frequency energy remains in the grooves. Nonetheless, this new AAA reissue sounds tonally identical to the original.

Filed under
Michael Fremer Posted: Dec 20, 2012 12 comments
Released in the U.K. November 22nd, 1963—the day John F. Kennedy was assassinated, many of the songs here weren't released in America until Capitol issued Meet The Beatles! in January of 1964 but a few bitter months after the assassination. America, particularly its youth needed an emotional pick me up and The Beatles provided it, though more on the Vee-Jay album than on this one.

Pages