Beatles

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Michael Fremer  |  Nov 01, 2010  |  1 comments

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965—forty five years ago this coming September 12th, which is five days after the re-release of this fascinating and endlessly entertaining 2 DVD set.

Michael Fremer  |  Sep 01, 2010  |  1 comments

The Beatles Remasters: A Splendid Time Is Guaranteed For Most

Michael Fremer  |  Apr 30, 2004  |  0 comments

This interview with George Martin was conducted in July of1998 and was originally intended for The Tracking Angle. Unfortunately, we ceased publication before it could be run. It appeared later in Art Dudley’s wonderful Listener magazine, also sadly defunct. Martin was in New York on a media tour publicizing In My Life his farewell production. It wasn’t particularly well received in the press, but it was what Martin wished to do, and that was good enough for him and for me. Meeting Martin was a memorable experience that I shall never forget.

The hotel door cracks open and you're startled to see Sir George Martin has answered your knock, looking just as you've seen him in the photographs, only taller and even more imposing. He welcomes you sincerely, in a polished voice that's soothing yet terribly aristocratic and proper sounding.

Foolishly, involuntarily, (and you hope surreptitiously) your eyes momentarily lose contact with Martin's to dart around the room looking for those other familiar faces always in the photos. You lock onto Martin's eyes, which say to you, "Don't worry. We're used to it. You're not the only one who's looked."

Michael Fremer  |  Oct 17, 2013  |  19 comments
Exhibitors at The Consumer Electronics Show in Las Vegas and at RMAF have been using reel to reel tape as source material. Some use Tape Project tapes, which we know are copies of copies of actual master tapes licensed by and supplied by the record labels. Yarlung is also doing this.
Michael Fremer  |  Sep 05, 2014  |  39 comments
Help! was released in August of 1965. The Beatles needed to produce another album for release well before Christmas. But they first were obliged to visit America at the end of the month to once again play The Hollywood Bowl.

Michael Fremer  |  Apr 30, 2004  |  4 comments

MF: For the most part, you chose the material; it was only a few people who…

Martin: Pretty well, pretty well. I mean the idea of Vanessa Mae doing "Because": The idea of a mini violin concerto came first, and I had to find someone to play it.

MF: But she put so much into that. Sometimes that kind of thing doesn’t work—when you try to “classical-ify” something. But that was very good.

So aside from the Beatles, who were the most memorable artists that you’ve produced? Any standouts?

Martin: Any other artists? Well, I’ve been so lucky to produce so many people. It’s difficult to name one. It’s like saying, what’s your favorite track? Obviously, Peter Sellers comes pretty high on that list. We worked very well together.

Michael Fremer  |  Sep 02, 2014  |  19 comments
"Product", "Filler", whatever you want to call it, the appropriately titled Beatles For Sale was a "have to meet the two album a year schedule" interim album due out for the 1964 Christmas season—a hodgepodge return to covers, George really asserting his country and western licks, John feeling his inner Bob Dylan, John and Paul channeling the Everly Brothers, Ringo given a real chance to stretch out in the percussion department and Paul rocking, rolling and screaming on reissue and breaking your heart on one of his achingly beautiful ballads.

Michael Fremer  |  Sep 01, 2014  |  18 comments
Back in 1964 American buyers of the mono "A Hard Day's Night" Soundtrack album (United Artists UAL 3366) got a better deal than did the ones who bought the "stereo" version. While the latter's instrumentals were in true stereo the Beatles songs were mangled by UA engineers into versions that were electronically reprocessed for stereo.

Michael Fremer  |  Sep 01, 2014  |  11 comments
Though the two originals have plenty of "mileage", they don't sound "chewed" and a great deal of high frequency energy remains in the grooves. Nonetheless, this new AAA reissue sounds tonally identical to the original.

Michael Fremer  |  Aug 30, 2014  |  25 comments
On the afternoon of September 4th, 1962 The Beatles arrived at Abbey Road for their first official session. They rehearsed, had dinner, returned to the studio and recorded “How Do You Do it” chosen for them as their first single by George Martin.

Michael Fremer  |  Feb 10, 2014  |  6 comments
This year's Fest for Beatles Fans coincided with the 50th anniversary of their first appearance on The Ed Sullivan Show, February 9th, 1964. The "invasion" festivities began earlier of course, including one event held Thursday February 6th at the 92nd St. "Y". That one featured Peter Asher (of Peter and Gordon, who also signed James Taylor to Apple and went on to become a major producer/manager), performer Billy J. Kramer, Beatle secretary Frida Kelly and Vince Calandra. The event was hosted by British actor/comedian and Beatle fan Martin Lewis. Donovan was a no-show due to a friend's death.

Michael Fremer  |  Dec 13, 2013  |  28 comments
On January 21st 2014 Apple Corp/Capitol will release a thirteen CD box set containing all of the American Beatle albums from Meet The Beatles (1964) to Hey Jude (1970). Just think: the entire history of the Beatles is like the time between 2007 and now. Think about that. It's guaranteed to blow your mind.

The discs contain both the mono and stereo versions, except for Beatles' Story and Hey Jude, which are in stereo only. And yes, the set will include the famous "Butcherblock cover" for Yesterday and Today

Michael Fremer  |  Nov 19, 2013  |  16 comments
“I don’t object to people inheriting or having a big lot of money I never did but I do object to people being stony broke and starving”.—John Lennon
Michael Fremer  |  Sep 06, 2014  |  32 comments
Rubber Soul was released on Friday, December 3rd 1965 three short years after The Beatles first entered Abbey Road Studios and met George Martin. It was their fifth album and the final one engineered by Norman Smith who was promoted a few months after Rubber Soul’s release to EMI’s A&R (artist and repertoire) Dept.

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