Yesterday I visited my friend and veteran disc jockey/on-air personality Paul Cavalconte to hang out and to "tweak" the Simon Yorke turntable he bought from me back in 2006 (story forthcoming). These days he's producing from his home a radio show that streams on The Progressive Radio Network (it's not a political show).
Wow! Leave it to Sundazed to pull off the ultimate Christmas gift for Byrdmaniax-not that any of them will wait until then to devour this quintuple 45rpm box set. All of these A and B sides were originally conceived of as the “next” Byrds single, but for one reason or another, were shelved. Now Sundazed has resurrected them with fabulous sound and impeccable, sumptuous packaging.
Sea Change, Beck's late-afternoon, mid-tempo reverie of an album, harkens back to the great old days of painstaking production, carefully drawn arrangements, and a concern for—and love of—sound and musical textures for their own sakes. Tempi are languid, notes are caressed, and gaping atmospheric spaces welcome listeners willing to be drawn in.
Vinyl fans tend to be obsessive (no news here!). So when you properly install a new cartridge and after the initial break-in, there's a period of calm and satisfaction knowing the stylus is fresh, the sound is spectacular and your records will be well cared for.
How did this one get neglected? Take a look at the photo supplied by WAM engineering. It shows a stylus in a cantilever. Notice it has been affixed into the cantilever at an angle instead of being parallel to the cantilever. If you use the cantilever to set the zenith angle on this cartridge, which is what I and everyone else recommends, the stylus will not be tangential to the grooves at the null points though it might accidentally be so somewhere else.
While there's some debate about how many hours a phonograph cartridge stylus lasts and how often it should be replaced, one thing's for sure: not keeping track of your cartridge's "mileage" makes difficult knowing when the time's come for a re-tip or replacement.
Truly, you can live without The Hollies' version of "That's How Strong My Love Is," compared to The Rolling Stones' white boy version, which you can also do without once you've heard Otis Redding do it.
A trademark dispute with National Periodic Publications (D.C. Comics) over the original cover art postponed the release of this record. Because Metropolis, Illinois is officially recognized by D.C. Comics as “the home of Superman,” Mr. Stevens references it in the lyrics and had the cover art show the man of steel flying in front of Chicago’s John Hancock Tower. D.C. Comics sued, in what definitely gets the company “dick move of the musical year” award from me. The legal problems delayed the release of the album. While it was originally in the November “In Heavy Rotation,” I’ve moved it here because of the delay.