Michael Fremer

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Michael Fremer  |  Apr 01, 2007  |  0 comments

Sundazed has just released the first five Byrds albums cut from the original mono master tapes, which didn't see that much action when new and haven't seen much since. Thus the sound on this first one has a chance of being positively stupendous and it is.

Michael Fremer  |  Nov 01, 2010  |  0 comments

Kitsch fans alert! This obscure 1960 oddity by composer/arranger Bob Thompson consists of a dozen short, lushly orchestrated impressions of various forms of transportation, each introduced with a stereo high-fidelity sound effect recording of a train, ocean liner, motor scooter, sports car, Intercontinental Ballistic Missile, or what have you.

Michael Fremer  |  Jan 01, 2006  |  0 comments

The release of “The Autobiography of Donovan, The Hurdy Gurdy Man,” last December, unleashed a publicity juggernaut that had the ‘60’s icon returning to the public eye with perhaps greater intensity than he experienced during the height of his original success (though without the #1 hits, of course).

Michael Fremer  |  Sep 01, 2010  |  1 comments

The forced revisiting of old, long neglected favorites is one of the great benefits of reviewing reissues. I hadn’t played this chestnut for years, maybe decades and never in the mono mix since by then stereo ruled—at least for me and a small minority of other kids.

Michael Fremer  |  Feb 01, 2012  |  2 comments

Let's divide the world into two groups: one that says "Gene who?" and the other that recognizes the late Gene Clark as one of the greats from the rock era. That's my side of the divide.

Michael Fremer  |  Jan 01, 2009  |  1 comments

There was a time when recordings studios were scenes, and the scenes produced great records, much like bar and club scenes produce great performers.

Michael Fremer  |  Aug 01, 2005  |  1 comments

Sundazed's Bob Irwin plays guitar and loves guitarists. In case you haven't noticed, go through the Sundazed catalog and you'll see. Hank Garland, best known as a Nashville session cat who played with Elvis, Eddy Arnold (in his touring band) and many, many others, was equally adept at playing electric jazz and this album on SESAC records issued in 1960 proved it. Adding to the interest here is the inclusion on the session of the very young vibraphonist Gary Burton.

Michael Fremer  |  May 01, 2006  |  0 comments


Apparently, the inclusion of the nostalgic Goffin/King song “Goin’ Back,” and the rejection of Crosby’s icky threesome song “Triad,” (which found its way onto The Jefferson Airplane’s superb Crown of Creation) caused him to split. The story goes that the horse on the cover represents Crosby, but if it's really a parting shot, why show the head instead of the tail?

Michael Fremer  |  Sep 01, 2010  |  1 comments

Dan Dyer sings mournfully,  earnestly and soulfully on these two direct to disc recordings produced at Chad Kassem's Blue Heaven Studios in Salina Kansas. He also plays keyboards and guitar and is accompanied by Michael Hale on drums and backup  vocals  and Mark Williams on bass and cello. 

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