Anyone who thinks "The Summer of Love" was a media creation simply wasn't there. Like many baby boomers, Kubernik was there. Unlike many of us though, he was there with photographers Henry Diltz and Guy Webster among others, both of whom gave the rock culture chronicler access to their photos for this highly entertaining, image filled and recollection rich book.
Hey Mikey- I have a question you might post and answer since it's general interest, I think. In your recent Freewheelin' Bob Dylan review you mentioned the white and black label Stereo 360 records from Columbia, and you mention that the black label indicates Columbia's all-tube cutting chain.
Producer/annotator Jay Landers has pulled from Capitol's rich vaults some of the label's best Christmas music that the label has issued as a double LP set complete with excellent liner notes (they are back.
It's June of 1964. Beatlemania is sweeping America. You've just graduated high school and are getting ready for college. You're trying to grow up, you're listening to jazz, but you've been pulled into this teen craze by the music. Not since Elvis, the Everly Brothers and Roy Orbison has your world been so rocked.
Back in 1964 American buyers of the mono "A Hard Day's Night" Soundtrack album (United Artists UAL 3366) got a better deal than did the ones who bought the "stereo" version. While the latter's instrumentals were in true stereo the Beatles songs were mangled by UA engineers into versions that were electronically reprocessed for stereo.
I just got off the phone with Record Technology Incorporated's owner Don MacInnis regarding the stamped lacquer used to press A Hard Day's Night and only that album.
The lineup is like "Austin City Limits" on steroids for this two hour live video and audio stream organized by Paul Simon, Edie Brickell, Willie and Annie Nelson and their organizations in conjunction with Luck Reunion to support and celebrate hard-hit by the coronavirus pandemic Austin, Texas.
The ‘60s played host to three significant, culture shifting music festivals. The first was the Newport Folk Festival where, in the decade’s early years, folk, blues and country blended to produce a beautiful noise that the boomer generation eventually embraced.
Can a recording engineer's memoir be a "real page turner" as the book trade likes to characterize a suspenseful novel? Yes, if the engineer is Ken Scott and yes if you're a true fan of the art and science of recorded music and you revel in minutiae and historical perspective that adds depth to your appreciation of your favorite records.
If you're looking for a good place to delve into the Sam Records reissue catalog beyond the obvious Chet Baker entry point, try this record featuring pianist John Lewis originally issued by Disques Versailles (MEDX 12005) in 1956.