So I'm driving back from Washington D.C. where I'd gone to install an Etna cartridge in an AMG Viella turntable for a friend. His politics are 180 degrees diametrically opposed to mine. In fact, he's a consultant to "those people". But you know what? Politics stops for me at the lead-in groove.
In this post-modern, post-rock age of bratty musical cynicism, along comes this Montreal-based outfit projecting meter-pinning 70's style sincerity and passion.
The goal was 1000 backers pledging $10.00 each for a total of $10,000 to produce this record, which would be all analog on one side and sourced from a digital file of the same material on the other.
The documentary "Heartworn Highways" produced and directed in the mid-1970s by James Szalapski but not released until 1981 documented the rise of a generation of singer-songwriters that included Steve Earle, the late Townes Van Zandt, David Allan Coe, Rodney Crowell, Guy Clark, Steve Young and Charlie Daniels.
Though he's but thirty years old, guitarist, record producer, studio session and touring band member Blake Mills has had already had a dizzying career. He's toured with Jenny Lewis and Band of Horses and Lucinda Williams. He's done session work for Norah Jones, Weezer, The Avett Brothers and Andrew Bird among many others and he produced Alabama Shakes' Sound & Color for which he received a producer of the year, non-classical, Grammy nomination.
Rabbi Fremer says: The Peter, Paul & Mary file comparison story has created quite an uproar. Most of you took it for what it was—an informal but reasonable comparison of two unidentified files that could have been the same or different. 79% of you thought they were different files. 21% though they were the same file posted twice.