Album Reviews

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Michael Fremer Posted: Jan 30, 2016 23 comments
Paul Kantner RIP. When is this parade of dead rock icons going to end? Can we at least have a short break?
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Michael Fremer Posted: Jan 27, 2016 23 comments
Music re-mixes may not be as complicated or as critical as brain surgery but when it comes to The Beatles, you could make the case.
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Michael Fremer Posted: Jan 21, 2016 14 comments
Like Paul McCartney's Kisses on the Bottom, The Eagles' Glenn Frey's standards album was produced with requisite class, though Frey's song choices range wider, covering everything from the 1922 Al Jolson classic "My Buddy" to Brian Wilson's soothing Pet Sounds solo turn "Caroline No" written with Tony Asher.

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Michael Fremer Posted: Jan 05, 2016 13 comments
Lyn Stanley’s third effort had better not be more of the same I told her, but only because she asked. Otherwise, it’s really none of my business, especially since I would be reviewing it.

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Michael Fremer Posted: Jan 02, 2016 3 comments
A description of this record in Twitter-like brevity: "Sandy Bull meets Michael Hedges in a church."

Of course that short-changes everyone involved, especially the only living artist among the three: guitarist Patrick Higgins.

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Michael Fremer Posted: Dec 31, 2015 4 comments
Recorded music comes to us pressed in plastic and frozen in time. The work leading up to the master often gets lost, tossed or erased and recorded over without a thought that it might be of interest to anyone. That’s most often true. Alternate takes, when they do surface, usually make clear why they were passed over in favor of the one programmed into your brain, though there are exceptions.

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Michael Fremer Posted: Dec 20, 2015 Published: Dec 19, 2015 48 comments
A recent sales blurb from UMe's "The Sound of Vinyl" website reads: "Using the original analog master tapes this artisan process results in cuts that have superior high frequency response (treble) and very solid and stable stereo images. In short, a very high quality master that helps to create a very high quality record."

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Michael Fremer Posted: Dec 18, 2015 28 comments
One of the greatest Broadway shows ever was also one of the great recordings of the dawning stereo era. Just reissued by Razor & Tie imprint Analog Spark and sourced using the original 3 track analog master tape, the music leaps from the speakers with new found conviction intensity and astonishing transparency.

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Michael Fremer Posted: Dec 16, 2015 16 comments
Chad Kassem's got a vinyl selling website, a reissue label, a pressing plant and well-oiled licensing deals so what's left to do but a self-produced double vinyl Christmas compilation pressed on red and green?

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Michael Fremer Posted: Dec 13, 2015 15 comments
Of course the only "ultimate" Sinatra collection for fans is having a huge collection of his albums on Columbia, Capitol and Reprise—the label he started—plus some of the original 78s from the late '30's up until the era of the long playing record.

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Michael Fremer Posted: Dec 03, 2015 5 comments
No doubt Elvis Costello knew he was no George Jones or Merle Haggard when, in the spring of 1981 he stepped before the microphone in CBS's Studio A in Nashville under the direction of veteran producer Billy Sherill (who passed away this past August), but he wanted to record an album of country covers in Nashville and following the cleansing craziness of the Trust sessions, this probably seemed like the right time.

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Posted: Dec 03, 2015 6 comments
At the top of the Costello album heap (not there alone, though), Trust issued in 1981 is Elvis Costello peaking in anger and disillusionment and coupling his discontent to wiry melodic constructions riding atop tautly tensioned rhythms. The album title is obviously ironic.

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Michael Fremer Posted: Nov 21, 2015 17 comments
"Jenny Sings Lenny" as Mr. Cohen playfully referenced this album in a cartoon included in the original release's liner notes but for some reason omitted here, both technically and musically has never sounded better.

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Michael Fremer Posted: Nov 13, 2015 14 comments
The golden gatefold cover art of Samantha Crain's Under Branch & Thorn & Tree makes clear that this is not a collection of "good times" tunes, but one is still left unprepared for the relentlessly bleak stories of betrayal, despair and desolation Crain delivers in an often pain-wracked voice that's somehow wrapped in a soothing, mesmerizing balm.

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Michael Fremer Posted: Nov 05, 2015 10 comments
The Bowie dress cover did not make the American cut when the album was first released in America in the Fall of 1970.

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