Album Reviews

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Michael Fremer  |  Mar 01, 2010  |  1 comments

Only in retrospect does the “high concept” of Marshall Crenshaw’s remarkable 1982 debut assert itself: marry infectious ‘50s and ‘60’s-like rock’n’roll tunes with the then modern chorus guitar effects popularized by The Police’s Andy Summers. Maybe that wasn’t the plan, but that’s sure what it sounds like! That, or what a vintage Seeburg or Wurlitzer juke box would sound like heard from outside of the malt shop teen hang out.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The indie rocker Sufjan Stevens brings a surprising and delightful buoyancy and sense of wonderment to his orchestral suite commissioned by the Brooklyn Academy of Music to celebrate the 25th anniversary of its “Next Wave” Music Festival. The original debut performances were in November of 2007.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The first Blood, Sweat and Tears group led by Al Kooper and including his former Blues Project bandmate Steve Katz, was the sophisticated assemblage that produced but one album. This one.

Michael Fremer  |  Mar 01, 2010  |  0 comments

In the wake of Norah Jones’ smash debut Come Away With Me, Nellie McKay issued the Geoff Emerick produced double CD set Get Away From Me.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Jim O’Rourke’s latest solo release, his first in nearly a decade, is a bold act in today’s dumbed down, sonically parched musical environment.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!

Michael Fremer  |  Mar 01, 2010  |  0 comments

This album was issued back in 2008 but gets reviewed here because though the name Nada Surf has popped through my consciousness for years, I’d never heard them. I know, I can go online and listen and probably even steal all of their stuff for free but I’m not wired like that, so I actually went out and bought this album on vinyl without hearing a note.

Michael Fremer  |  Feb 01, 2010  |  0 comments

Villa-Lobos’s folk-oddity “The Little Train of the Caipira” from Bachianas Brasileiras No. 2 is a delightful, evocative piece of music, as colorful as the cover artwork and a sonic spectacular guaranteed to delight even the most classical music-averse audiophiles.

Michael Fremer  |  Feb 01, 2010  |  0 comments

(Corrected version: Elliot Easton is still with us. Ben Orr, unfortunately, passed away in 2000. I mistakenly said "the late Elliot Easton" in the original review. My apologies!)

Michael Fremer  |  Jan 01, 2010  |  1 comments

Some analog recordings shouldn�t be allowed be reissued on any digital format. There should be a law! You want to hear, say, Van Morrison�s rococo, acoustic/folk jazz masterpiece Astral Weeks?

Michael Fremer  |  Jan 01, 2010  |  0 comments

This is neither the time nor the place to extol the virtues of this classic album that has more than stood the test of time. You already know about it and perhaps own a copy or two. If you don't, then you can buy this new Capitol 180g reissue and be sure you have a competently produced, reasonably priced reissue, though clearly cut using a digital source that produces a record that's a thin, pale imitation when compared to earlier reissues.

Michael Fremer  |  Jan 01, 2010  |  0 comments

(Originally posted in 2006)
With the release of the second, third and fourth Fairport Convention albums on 180g vinyl, lovers of British folk and folk/rock who weren’t around when these records were issued on vinyl by A&M in America and Island in the UK, can hear the brilliance of both the group and John Wood’s sympathetic engineering as originally intended. CD simply can’t breath life into the late Sandy Denny’s voice. On vinyl she’ll take your breath away. (Originally posted in 2006)

Michael Fremer  |  Jan 01, 2010  |  0 comments

When Bob Dylan “plugged in” at Newport back in ’65 the legion of original fans went bonkers, jeering and booing, but Dylan persevered and his popularity grew as the much larger rock audience tuned in, thanks in part to covers by The Byrds on their first album.

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