ORG Reinvents Heavy Weather

Jazz Fusion may have turned out to be a dead end genre exiled to The Weather Channel's 24 hour forecast, but at its inception arguably with the group Weather Report, the sun shone brightly on its possibilities. How ironic that the jazz offshoot took off with Weather Report and dead-ended on TWC!

This 1977 album, Weather Report's 7th and most popular, thanks in great part to the joyous tropical paradise of an expanded lilting riff called "Birdland," has been given a new lease on life due in great part to Bernie Grundman's astonishing 45rpm mastering job working with the original analog tapes and a great RTI pressing.

The 12" 45rpm single of "Birdland", once considered a rare sonic treasure, sounds positively anemic and ordinary next to the version on this double 45.

Keyboardist joe Zawinul, saxophonist Wayne Shorter, legendary bassist Jaco Pastorious, drummer Alex Acuña and percussionist Manolo Badrena produced flowing, angular, driving tropical rhythms carried aloft by Shorter's soaring soprano and tenor sax lines, anchored by Zawinul's multi-keyboard pulses and Pastorious's fretless bass excursions.

The soaring, joyous music, peppered with the then new sound of the synthesizer (particularly in jazz) was just what music lovers needed around then after a decade of political misery and economic and cultural decline. It was a fresh, new sound and by the time of this album the group had grown beyond frivolity and into a meaningful exploration.

Anyone familiar with the cut "Birdland" through repeated listenings to the original pressing or digital editions and thinking they have peered into every sonic nook and cranny will hear it anew and full of sonic surprises, particularly spatially. It's positively three-dimensional extreme ear candy. Considering that the engineer was Ron Malo who engineered at Chess for years recording, among other things Muddy Waters, Folk Singer, that should hardly come as a surprise.

If you're a hard-core "jazz purist" not even Grundman's sonic miracles will bring you around, but otherwise this limited to 2500 copies edition is an adrenaline jolt of a treasured re-issue that will lift you off the ground every play.

Music Direct Buy It Now

COMMENTS
Simoon's picture

Just because the music press and critics were unkind to fusion, and the record companies saw $$, and it was watered until it became 'fusak', does not mean it was a dead end genre. It was killed off.

It was a vital form of music then, despite what the press claimed, and with the influx of self produced releases, still is.

Starting in the mid-90's, fusion started to make a comeback that has not let up. The list of young world class muisicans making incredible fusion is probably longer than back in the heyday of the 70's.

trace001's picture

They offered up a fun blend of old songs. Everyone seemed to be having a good time and the harmony is great. - Mallory Fleming

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