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I hear elements of the great Superman theme from John williams. We all know artists of all ilk borrow from others.

The New Yorker’s classical music critic explores these issues of borrowing in a fun piece, “Listening to Star Wars”:

'It has long been fashionable to dismiss Williams as a mere pasticheur, who assembles scores from classical spare parts. Some have gone as far as to call him a plagiarist. A widely viewed YouTube video pairs the “Star Wars” main title with Erich Wolfgang Korngold’s music for “Kings Row,” a 1942 picture starring Ronald Reagan. Indeed, both share a fundamental pattern: a triplet figure, a rising fifth, a stepwise three-note descent. Also Korngoldesque are the glinting dissonances that affirm rather than undermine the diatonic harmony, as if putting floodlights on the chords.

'To accuse Williams of plagiarism, however, brings to mind the famous retort made by Brahms when it was pointed out that the big tune in the finale of his First Symphony resembled Beethoven’s Ode to Joy: “Any ass can hear that.” Williams takes material from Korngold and uses it to forge something new. After the initial rising statement, the melodies go in quite different directions: Korngold’s winds downward to the tonic note, while Williams’s insists on the triplet rhythm and leaps up a minor seventh. I used to think that the latter gesture was taken from a passage in Bruckner’s Fourth Symphony, but the theme can’t have been stolen from two places simultaneously.

'Although it’s fun to play tune detective, what makes these ideas indelible is the way they’re fleshed out, in harmony, rhythm, and orchestration...’

http://www.newyorker.com/culture/cultural-comment/listening-to-star-wars

I just listened to the original Superman movie soundtrack a few days ago and King's Row reminded me of that. J Williams might lift some themes from others, but he does it very well :)

Now this is amazing!

Sorry, I meant reel (to-reel) analog music. lol.