Michael Fremer

The second edition of "Making Vinyl" was an even greater success than last year's, which was plenty good. Following Record Store Day founder Michael Kurtz's panel "Record Store Day 11 Years Later", AnalogPlanet.com editor Michael Fremer ran "New Vinyl Plants Fire Up the Presses", which you can watch here. (Photo: Discogs sandwich of Jeffrey Smith and Sean Cannon).

After brief opening ceremonies at "Making Vinyl" event in Detroit October 1st and 2nd, co-founder/organizer Larry Jaffee introduced Record Store Day founder Michael Kurtz who moderated a fascinating panel intended to explain "why and how nearly 750,000 records were sold last April 21st in the U.S." and more interestingly how these releases were chosen, manufactured and distributed.

At Making Vinyl 2018, the "Women in Vinyl" panel produced a wide-ranging discussion that mostly stuck to business and occasionally dealt with being a woman in the business world generally and the music business specifically. The first panelist to speak provoked the audience with a spirited defense of the compact disc (you youngsters look that up) and from there the back and forth generated a well focused perspective on the business of vinyl from a female point of view. And yes 'Women in Vinyl'" does sound like a John Waters movie.

Before I write about Music Hall's MMF-9 turntable (above), in my March 2003 review, I wrote that the SME 30/2 turntable's combination of attributes "might just make it the finest turntable in the world." Earlier in the review, I'd said, "The SME 30/2 is perhaps the most tonally neutral turntable I've ever heard. Only the Rockport System III Sirius, which includes an integral tonearm, is in the same league, and it doesn't stand up to the SME's low-frequency extension and solidity." I wrapped up the review with: "Overall, the SME Model 30/2 is the best turntable I've heard."