Michael Fremer

Michael Fremer  |  Feb 01, 2012  |  0 comments

Speakers Corner has unearthed an unlikely gem here: a 1957 blues set by a stellar assemblage of jazz musicians  that's been obscured by time—at least I've never seen or heard of it before.

Michael Fremer  |  Feb 01, 2012  |  0 comments

At first you might think "Can these tracks really have come from the same session that produced A Night in Tunisia?" That’s the claim, so you'd be  expecting the same level of raw intensity, the same Van Gelder generated echoey backdrop and the same sense that this was a “cutting session” for the ages.

Michael Fremer  |  Feb 01, 2012  |  3 comments

A more pleasant pairing of musical icons you’re not likely to hear and the backing by The Oscar Peterson Trio (Ray Brown on bass, Herb Ellis on guitar plus Buddy Rich on drums) completes the setting. Add a superb monophonic recording and a literally astonishing 45rpm re-mastering that just about brings them all back to life in your listening room and you have something truly special that’s clearly stood the test of (a long!) time.

Michael Fremer  |  Feb 01, 2012  |  2 comments

The winner is physicist Richard Horton, in Huntsville, Alabama. Yes, a scientist who prefers vinyl! And here are the winning answers:

Michael Fremer  |  Jan 07, 2012  |  0 comments

The ‘60s played host to three significant, culture shifting music festivals. The first was the Newport Folk Festival where, in the decade’s early years, folk, blues and country blended to produce a beautiful noise that the boomer generation eventually embraced.

Michael Fremer  |  Dec 01, 2011  |  1 comments

Another decade, another reissue of DSOTM, this one using the very fragile original two track master tape, again supervised by James Guthrie. Guthrie had determined that the tape was in fragile shape back in 2003, which is why he opted for a remix in the analog domain. That edition was very good and worth having, especially if you didn't have a very clean early UK pressing, but in retrospect it departs from the original much as the Mo-Fi does: the EQ is a bit much at the frequency extremes, which bleaches out the mids. As for the mix's micro-elements and how close Guthrie came to reproducing the original mix, I have to surrender that to the DTOTM fanatics, of which I'm not one.

Michael Fremer  |  Dec 01, 2011  |  1 comments

Before there was Lady Ga-Ga, there was Bette.

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