Michael Fremer

Michael Fremer  |  Apr 30, 2010  |  3 comments

Swiss-born recording engineer Marc Aubort began his career in the late 1940’s working first with wire recorders and later with tape. Aubort first came to America in 1955 to inspect the American operation of European budget label MMS (Musical Masterpiece Society).

Michael Fremer  |  Apr 30, 2010  |  0 comments
(Note: over time since this was first posted, we've gotten complaints from some readers about glaring omissions in the Mog "catalog." No Kinks, among others.

We probably should have made clear that we were saying "every record every made" with tongue firmly in cheek. No doubt there are holes, some gaping, in the Mog catalog that hopefully will be filled over time by licensing deals.)—MF

Michael Fremer  |  Apr 01, 2010  |  1 comments
Maybe the soundtrack to your life didn’t exist in 1969, or if you’re fortyish, was filtered through an amniotic sack. 1969 was an unsettling year. The fall was post-Woodstock and spelled the end of the ‘60s, though what we now think of as “the ‘60’s” arguably didn’t happen until the ‘70s. 
Michael Fremer  |  Apr 01, 2010  |  0 comments

This slab of red vinyl got plopped on the turntable and listened to before the unnoticed press blurb stuffed into the gatefold jacket made returning it from where it came impossible.

Michael Fremer  |  Mar 01, 2010  |  1 comments

Only in retrospect does the “high concept” of Marshall Crenshaw’s remarkable 1982 debut assert itself: marry infectious ‘50s and ‘60’s-like rock’n’roll tunes with the then modern chorus guitar effects popularized by The Police’s Andy Summers. Maybe that wasn’t the plan, but that’s sure what it sounds like! That, or what a vintage Seeburg or Wurlitzer juke box would sound like heard from outside of the malt shop teen hang out.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The indie rocker Sufjan Stevens brings a surprising and delightful buoyancy and sense of wonderment to his orchestral suite commissioned by the Brooklyn Academy of Music to celebrate the 25th anniversary of its “Next Wave” Music Festival. The original debut performances were in November of 2007.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The first Blood, Sweat and Tears group led by Al Kooper and including his former Blues Project bandmate Steve Katz, was the sophisticated assemblage that produced but one album. This one.

Michael Fremer  |  Mar 01, 2010  |  0 comments

In the wake of Norah Jones’ smash debut Come Away With Me, Nellie McKay issued the Geoff Emerick produced double CD set Get Away From Me.

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