Michael Fremer

Sort By: Post Date | Title | Publish Date
Michael Fremer  |  Feb 23, 2021  |  First Published: Feb 23, 2021  |  11 comments
Readers skeptical of the Kirmuss Vinyl Restoration process should examine the above photo. Lately Mr. Kirmuss has been using it to restore Edison cylinders. The results are easier to see here than on a vinyl record.

Michael Fremer  |  Feb 06, 2019  |  5 comments
You know those records that “got away”? The ones you saw in the bins when they first were released that you mean to buy but somehow didn’t? One for me was Peter Walker’s Rainy Day Raga on Vanguard. I’ll pick up a copy eventually (I said that before, back in the ‘60s, but this time I mean it!) but for now there’s this old-time/modern psych-drone fest with the recently resurfaced Walker, now in his 80s, collaborating with Harmony Rockets (better known as Mercury Rev along with Wilco’s Nels Cline, Sonic Youth’s Steve Shelley and Martin Keith.

Michael Fremer  |  Apr 06, 2017  |  6 comments
Over the past decade or so vinyl-loving jazz enthusiasts have been treated to a series of previously unreleased but significant recordings discovered under beds, in closets and in the vaults of European radio stations. Some were never before heard. Others were bootlegged from radio broadcasts

Michael Fremer  |  Sep 05, 2013  |  6 comments
Vivaldi's "The Four Seasons" composed in 1723 is an enduring set of four violin concertos so popular and oft-played that even folks who are not fans of classical music will be recognize it—especially the opener “La Primavera” (“Spring”).
Michael Fremer  |  Nov 28, 2012  |  24 comments
This album stiffed when first released in the Spring of 1970. While it was hyped as the "last Beatles album" everyone knew it was recorded before Abbey Road, even if they didn't know the messy history behind it. And by the time the album was released the Beatles had broken up.
Michael Fremer  |  Sep 13, 2018  |  First Published: Sep 13, 2018  |  41 comments
In a July 2nd story, we announced four new costly arms from SAT(Swedish Analog Technologies): two models each available in 9" and 12" versions. The least expensive of the four, the LM-09 was reviewed in the just shipped October, 2018 Stereophile.

Michael Fremer  |  Nov 07, 2018  |  First Published: Nov 07, 2018  |  5 comments
At last month's "Making Vinyl" conference in Detroit Keynote speaker Steven Van Zandt chose not to present a formal address. Instead, he sat down with music journalist Gary Graff to talk about his relationship with vinyl records and especially his TeachRock (teachrock.org) organization that provides to schools free of charge music educational resources.

Michael Fremer  |  May 09, 2021  |  First Published: May 09, 2021  |  0 comments
Legendary Englewood Cliffs, NJ Van Gelder Studio, the famed recording venue in which hundreds of the greatest jazz records ever were produced is the site for this recently announced second "Live from Van Gelder Studios" virtual music concert, happening on May 15th at 9PM EDT, with live re-streams on May 16th at 8PM JST for Asian markets and 8PM CEST for European markets.

Michael Fremer  |  Aug 17, 2015  |  First Published: Aug 17, 2015  |  17 comments
Today's weather in the New York/NJ metro area was so hot and humid (96 degrees) the idea of spending even an hour in a studio on such a beautiful but hot day simply didn't appeal so I drove down to Asbury Park and did the third edition of anlaogplanet radio "live" from the New Jersey Shore!

Michael Fremer  |  Aug 31, 2003  |  0 comments

Jack Pfeiffer: The Last Interview

When I sat down at last January's (1996) Consumer Electronics Show with veteran RCA producer Jack Pfeiffer, I had no way of knowing that I would be conducting the final interview he would ever give. Pfeiffer suffered a fatal heart attack on Thursday February 8th, 1996 at his RCA office where he'd worked in the Red Seal division for the past forty seven years. He was 75.

Jack Pfeiffer was a pleasant man, soft spoken and easy to talk to. When my rather limited knowledge of the classical music world became apparent, he picked up the slack so I wouldn't feel too uncomfortable.

My reason for speaking with him had less to do with anything technical, and more to do with getting his take on the work being rediscovered and appreciated by a younger generation of music lovers thirty plus years later, and how, given the usual corporate bottom line mentality (yes, even then) such a dedication to quality could prevail. So yes, it was more People and less Mix and under the circumstances that's fine with me.

Pages

X