LATEST ADDITIONS

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Michael Fremer Posted: Jan 01, 2009 0 comments

If you choose to linger on the external contours and often predictable constructive conventions of these tunes, instead of on how the musicians fill the spaces, this Horace Silver set can sound conventional, overly familiar and even mundane to 21st century ears.

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Nick Katsafanas Posted: Jan 01, 2009 1 comments

If you�re not yet familiar with him, Matisyahu is a 28-year-old white, Chassidic Jewish reggae-rapper/rocker from West Chester, Pennsylvania. Now read that over a few more times, do you have a mental picture yet? He dons the traditional dress of The Hasidic Jews, wears a long beard and sounds a bit like �Jr. Gong� Marley. In addition he�s a self proclaimed former-Deadhead, loves Phish and is an adept beat boxer. Now that I�ve got you scratching your head wondering if I�m making this all up, it would be a good time to add that he�s also a talented songwriter, and his album, Youth is quite the unique musical experience.

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Michael Fremer Posted: Jan 01, 2009 0 comments

Dennis Wilson didn�t sing very well in the conventional sense of the word: his pitch was frequently off, he warbled, his vocal timbre was raspy and calling his range �limited� would be an overstatement.

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Michael Fremer Posted: Jan 01, 2009 0 comments

It always seemed as if there was a great recording lurking under the glaze of the original 1994 CD release. Finally, 14 years later Pure Pleasure gives us an answer: yes! Wow is there a great recording here on Keb' Mo's audacious, country/blues/soul debut.

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Michael Fremer Posted: Jan 01, 2009 0 comments

Very few singers can get this close to a dry microphone, be balanced way forward of the backup band and sound as good as Peggy Lee does on this series of standards backed by a pair of small ensembles, recorded in 1953 and 1956. Neither the original nor the reissue notes explain the album’s temporal context so perhaps there’s no story there.

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Michael Fremer Posted: Jan 01, 2009 0 comments

Before there was Norah, Diana, Patricia, or even Jacintha, there was Julie London. Just as audiophiles today seem to gravitate towards sexy, breathy singers, audiophiles in the mid-fifties found themselves inextricably connected to Ms. London, thanks in great part to the Liberty Records original ((LRP-3006), issued December, 1955.

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Brent Raynor Posted: Jan 01, 2009 0 comments

There is two kinds of music, the good and the bad�

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Michael Fremer Posted: Dec 06, 2008 0 comments

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