LATEST ADDITIONS

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Michael Fremer Posted: May 01, 2008 0 comments

Another Pure Pleasure mono reissue more important for the music than for “audiophile sound,” which these 1950 and 1951 mono sessions surely are not.

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Michael Fremer Posted: May 01, 2008 0 comments

Dexter Calling , recorded May, 9th, 1961, just a few days after Gordon’s Blue Note debut session, opens with “Soul Sister,” a “chicken and biscuits” track the tenor saxophonist wrote for the West Coast edition of “The Connection,” which Freddie Redd had scored for the East Coast original. The tune’s slow, bluesy, Southern-tinged melody, played in ¾ waltz-time sounds like something Floridian Cannonball Adderley might have penned though Gordon grew up in Los Angeles, son of a prominent physician who tended to the likes of Duke Ellington and Lionel Hampton.

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Michael Fremer Posted: May 01, 2008 0 comments

Recorded in 1976, this audiophile classic sounds as astonishingly natural today as it did back then, only much better now given the improvements in modern analog playback gear.

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Michael Fremer Posted: May 01, 2008 0 comments

Say what you will about the slick, commercial Nashville sound that’s evolved from the fine “countrypolitan” one developed by Chet Atkins and crew at RCA Studio B back in the ‘60’s, at least they still have great studios, skilled engineers and teams of tasty lick players in Music City, all of which are on display here.

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Michael Fremer Posted: May 01, 2008 0 comments

Paul McCartney still has an unerring ear for a good melody. That’s something even his most severest critics can’t take away from him.

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Michael Fremer Posted: May 01, 2008 0 comments

This record makes Scott Walker’s last two bleak outings sound positively festive. Harvey has never been an easy listen throughout her decade plus career. She could be dark, abusive, angry, pained, vulnerable, strong and raw-edged, but she could never be easy and she’s not here, as ghostly and pained a musical figure as you’re likely to encounter on record.

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Michael Fremer Posted: Apr 25, 2008 1 comments
The audio industry may have lost a legend and a prolific innovator in Henry Kloss a few years back, but it still has another affable, creative eccentric in Peter Ledermann. In the mid-1970s, Ledermann was director of engineering at Bozak, where, with Rudy Bozak, he helped develop a miniature bookshelf speaker and a miniature powered subwoofer. Before that, Ledermann was a design engineer at RAM Audio Systems, working with Richard Majestic on the designs of everything from high-power, minimal-feedback power amplifiers and preamplifiers to phono cartridge systems. He was also an award-winning senior research engineer at IBM, and the primary inventor of 11 IBM patents.

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Michael Fremer Posted: Apr 01, 2008 0 comments

Never mind the much-vilified Marine and ex-Obama pastor Reverend Wright, if you want to hear the unvarnished, angry, hurtful truth of an era not so long past, listen to this stark, musical reminder of race relations in early ‘60s America.

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Michael Fremer Posted: Apr 01, 2008 0 comments

MP3s spread “virally.” Large corporate interests didn’t push them. Vinyl is resurgent for the same reason. It’s a ground up movement. Construct that way and you have a strong foundation for a long-lasting building. That’s what gives hope for vinyl’s long term growth and sustainability.

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Michael Fremer Posted: Apr 01, 2008 0 comments

Like a musical Old Faithful, Richard Thompson dependably spews an album’s worth of inspired material at regular intervals. He’s been doing this since 1972’s Henry the Human Fly (Island ILPS 9197), which is so deserving of a high quality all-analog reissue.

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