Michael Fremer

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Michael Fremer  |  Dec 26, 2015  |  First Published: Dec 26, 2015  |  32 comments
About a decade ago my friend and fellow audio writer Ken Kessler flew over from the U.K. to review the Continuum Caliburn turntable. At the end of a day’s listening it occurred to me that I had on hand not one but two “record demagnetizers"—both in unopened boxes. One was from Furutech, the other from Acoustic Revive.

Michael Fremer  |  Jan 01, 2011  |  0 comments

The relationship between Jewish-Americans and African Americans has been long, complicated, confusing, controversial and not without reciprocal animosity. Yet, clearly as this fascinating collection of African-American artists singing Jewish songs demonstrates, there’s also been a lot of mutual love and support.

Michael Fremer  |  Jul 29, 2019  |  First Published: Jul 29, 2019  |  12 comments
Do you really need a wrist watch that looks like a record? Of course you don't! Nor do I, but for $24.95 (as I write this but no telling for how long), why not? I ordered one.

Michael Fremer  |  Feb 19, 2022  |  First Published: Feb 19, 2022  |  6 comments
Pushkin co-founder Malcolm Gladwell and his friend Bruce Headlam, co-founder of music podcast Broken Record (under the Pushkin umbrella, in which they share hosting with Rick Rubin), team up to converse with and attempt to “explain” Paul Simon’s genius in “Miracle and Wonder”, a lengthy, impeccably produced multi-chapter audio biography they rightly call a “book”.

Michael Fremer  |  Apr 28, 2019  |  First Published: Apr 28, 2019  |  29 comments
The cartridge featured "blind" in the recent post titled "How Much Would You Pay for This Cartridge?" pictured above is "The Vessel" A3SE, which sells for $99.00.

Michael Fremer  |  Feb 01, 2012  |  3 comments

A more pleasant pairing of musical icons you’re not likely to hear and the backing by The Oscar Peterson Trio (Ray Brown on bass, Herb Ellis on guitar plus Buddy Rich on drums) completes the setting. Add a superb monophonic recording and a literally astonishing 45rpm re-mastering that just about brings them all back to life in your listening room and you have something truly special that’s clearly stood the test of (a long!) time.

Michael Fremer  |  Jul 01, 2011  |  1 comments

Neil Young's 1980's country music phase wasn't appreciated by his record label at the time but the fans accepted it, certainly more than they did what came previously: dips into computer music (Trans) and Rockabilly (Everybody's Rockin'), which was digitally recorded. Somehow digital recording and Rockabilly don't go together but it took Neil a while to figure that out. And that Rockabilly record had Neil in an odd mood. Read his biography "Shakey" and it was clearly a difficult time in his life.

Michael Fremer  |  Dec 01, 2005  |  0 comments

“If you follow every dream, you might get lost,” Neil Young admonishes lovingly on “The Painter,” the opener to his new, excruciatingly personal album—his first since Old Ways to be recorded in Nashville. Young isn’t advising against following every dream, just to be prepared for unexpected turns in the road and to take it as it comes.

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