Album Reviews

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Michael Fremer  |  Jul 01, 2011  |  0 comments

No one before sang quite like Stevie Wonder  does on this groundbreaking album, but everyone did afterwards. Wonder's tonality and phrasing on Talking Book were breakthroughs in soul/pop vocalizing.

Michael Fremer  |  Jul 01, 2011  |  0 comments

The Cuban born, classically trained jazz pianist Elio Villafranca plays in a lyrical, yet not quite florid style that moves from Latin style fiery and dramatic one moment to deeply introspective and abstract the next.

Michael Fremer  |  Jul 01, 2011  |  0 comments

As the liner notes for ISB's self titled debut (Elektra EKS-7322) tell it, in the mid '60s Robin Williamson was singing traditional Scottish ballads, MIke Heron was in an r&b group and Clive Palmer was playing ragtime banjo.

Michael Fremer  |  Jul 01, 2011  |  1 comments

Not one Hollies hit is among the twenty songs on this ten 45rpm 7" box set and that's the best part!

Michael Fremer  |  Jul 01, 2011  |  2 comments

Classical music recorded all-analog using purist microphone techniques are few these days. Here is one from Bob Attiyeh's Yarlung Records that is both sonically and musically exquisite.

Michael Fremer  |  Jul 01, 2011  |  0 comments

Street playing string bands played some of the best music I heard at this year's SXSW conference in Austin, Texas. The Carolina Chocolate Drops out of Durham, North Carolina are one of the few African-American string bands plying the trade today. The trio plays fiddle, banjo, guitar, harmonica, bones (yes, bones) and other traditional instruments on this 10"  four tune EP. The group had a Grammy Award® winning album for "best traditional folk album" with their 2010 CD release "Genuine Negro Jig" also on Nonesuch.

Michael Fremer  |  Jul 01, 2011  |  1 comments

It's easy to imagine a generation of young guitar students wearing out the grooves of this set of  "urban instrumental surf music."

Michael Fremer  |  Jul 01, 2011  |  1 comments

A Ken Burns ten part PBS special will project itself onto your inner movie screen as Pat Conte plays on 19th century fiddle and banjo and occasionally vocalizes a set of old American tunes the accompanying press release describes as "old-time, primitive blues and archaic songs...". 

Michael Fremer  |  Jul 01, 2011  |  0 comments

This review was but a few words from being finished and a fumbling finger destroyed the whole thing. I hate when that happens! I'm not going to try to reproduce it. Too painful. So let me summarize what I'd written: yes The Four Tops and the other Motown acts were slick and aimed at white America, and the Chess stuff was much hipper, but this was great pop stuff nonetheless.

Michael Fremer  |  Jul 01, 2011  |  1 comments

The prolific, smoky-voiced Irish folk/rock singer Eleanor McEvoy has had an almost twenty year recording career, first on major labels, where she enjoyed mainstream success but after getting caught in an excess of red tape, she extricated herself and began recording for independents.  

Michael Fremer  |  Jul 01, 2011  |  1 comments

When Frank left Capitol to start his own Reprise label, his old label made a push to reap the old catalogue's financial benefits. Frank fought back by recording in April of 1963 this album of big Capitol hits with arrangements by Nelson Riddle. Sinatra knew the tunes well, laying them all down live with orchestra in two days.

Michael Fremer  |  Jul 01, 2011  |  0 comments

As the liner notes point out, there’s nothing inauthentic about a Swiss composer conducting a Swiss orchestra performing a ballet written by a Spaniard.

Michael Fremer  |  Jul 01, 2011  |  1 comments

This mostly introspective, Jackie McLean led session featuring trombonist Grachan Moncur III (who contributes three of the four compositions), Roy Haynes, bassist Larry Ridley and Bobby Hutcherson, whose vibraphone add an otherworldly element to the mix, sounds more like something from an eerie “Twilight Zone” episode than what one normally expects or gets from the Blue Note franchise.

Michael Fremer  |  Jul 01, 2011  |  1 comments

Talk about a confusing pedigree: though the jacket reproduces an "electronically reprocessed for stereo" edition of this album, the tape used is  mono, thank goodness.

Michael Fremer  |  Jul 01, 2011  |  1 comments

To those of us at a certain age and religious persuasion, there's something bizarre about Iggy and the Stooges playing  Kutsher's Country Club, once one of the Borscht Belt's premiere venues. Of course Kutsher's and the Borscht Belt aren't what they used to be but Iggy and the Stooges still are!

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