LATEST ADDITIONS

Michael Fremer  |  Sep 23, 2021  |  2 comments
To celebrate the 70th anniversary of the legendary "Mercury Living Presence" series, Decca Classics just announced this new audiophile vinyl series half-speed mastered by Miles Showell at Abbey Road Studios using brand new from the original first generation 3 track analog master tapes high definition digital transfers made by Abbey Road Studios' Jared Hawkes (the one mono release used a full track 1/4" tape).

Michael Fremer  |  Sep 23, 2021  |  3 comments
Blue Note today announced an extensive list of upcoming Classic Vinyl Reissue Series titles launching October 1st, 2021 through April 15th, 2022. All reissues mastered by Kevin Gray cut directly from the original analog master tapes, with the exception of two titles, as noted, cut from the digital masters, and pressed on 180g vinyl at Optimal in Germany.

Malachi Lui  |  Sep 21, 2021  |  4 comments
This month, AnalogPlanet launches The Rear View Mirror, an ongoing series extensively reviewing notable albums from the past. Entries, which will be posted at least once a month, are limited to one album per artist per year. And what better way to launch it than with a 50th anniversary review of Yoko Ono’s Fly?

Malachi Lui  |  Sep 18, 2021  |  38 comments
Time and time again, Kanye West succeeds in the unexpected. With each album, he overcomes struggles regarding celebrity, ego, family, mental health, and religion, moving forward yet never fully conquering his demons. He married and had four kids with Hollywood socialite/tabloid fixture Kim Kardashian, though still maintained his unfiltered authenticity. A consistently provocative—off-putting, some might say—figure who lives at pop culture’s core, he encapsulates human nature’s duality and contradiction. Kanye West is a rough-edged perfectionist, a master of spectacle, and even if you hate him, the center of attention.

Michael Fremer  |  Sep 16, 2021  |  9 comments
Mack Avenue Records' new deluxe limited to 300 copies Erroll Garner box set drops September 17th. The set arrived this afternoon, September 16th so I dropped everything to open it on camera to show you what's inside.

Michael Fremer  |  Sep 16, 2021  |  8 comments
Zesto Audio recently announced this new super-deluxe Andros Téssera phono stage, which features a new 100% tube analog circuit design featuring "optimized" components and a wide variety of performance and convenience upgrades from its previous reference phono preamp.

Michael Fremer  |  Sep 15, 2021  |  3 comments
Vinyl Me, Please in partnership with Sony Music Entertainment's Legacy Recordings just announced VMP Anthology: The Story of Philadelphia International Records, celebrating the label's 50th anniversary with an 8 LP box set cut directly from the original master tapes by Bernie Grundman, plated and pressed at RTI on 180g colored vinyl.

Michael Fremer  |  Sep 15, 2021  |  7 comments
Thorens today announced two new turntables: the TD1500 and the TD403. The 1500 takes its design cues from the iconic TD 150 introduced in 1965 that according to Thorens's press release featured for the first time in a mass produced turntable a spring suspended sub-chassis with a flat belt driven inner platter. However, the AR-XA introduced in 1961 had this design feature and sold 100s of 1000s so must be considered "mass produced". The TD403 is the "big brother" of the recently introduced TD 402.

Michael Fremer  |  Sep 15, 2021  |  5 comments
Blue Note releases November 5th First Flight To Tokyo: The Lost 1961 Recordings a recently uncovered Art Blakey and the Jazz Messengers 1961 live recording at Tokyo's Hibiya Public Hall featuring the classic lineup of Lee Morgan, Wayne Shorter, Bobby Timmons and Jymie Merritt.

The set includes mostly crowd pleasing staples like Parker's "Now's the Time", Monk's "Round About Midnight" and Timmons' "Moanin'", which you can stream or download at that link.

Joseph W. Washek  |  Sep 14, 2021  |  5 comments
In December 1965, Sam Charters (1929-2015) went to Chicago to record Blues musicians who were playing in the clubs of the Black neighborhoods on the south and west sides. Charters, a white man, had written "The Country Blues" published in 1959. It was the first book about rural blues and while it contained many factual inaccuracies, it was entertaining romantic storytelling and helped foster the interest of young White folk fans in acoustic Blues. The glaring failing of "The Country Blues" was Charters’ insistence that “real blues” was dead, that Lightnin’ Hopkins was the last living blues singer (!), that postwar electric Blues was diluted, crude, loud, monotonous and that, “The blues have almost been pushed out of the picture and the singers who have survived at all have had to change their style until they sound enough like rock and roll performers to pass with the teenage audience.” Opinionated, though he may have been, Charters remained open minded and observant and within a few years, realized that the music being played in the small bars in the Black neighborhoods of Chicago was an urban, modernized version of the rural southern blues he admired so much and served the same social purpose for its audience. 

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