Album Reviews

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Nathan Zeller  |  Mar 31, 2021  |  2 comments
I remember a time when a friend would visit weekly, and we’d gather around a laptop and sing songs. While our musical tastes were usually in synch, there would always be a tune or two that made one of us frown. Consequently, I ended up learning a lot about his musical tastes, as I’m sure he did of mine. One night, after singing “All My Loving” for the umpteenth time (this is when my Beatles obsession began), he queued a song from Weezer— a band I had never before heard of. I can’t recall the name of the song, but I politely smiled through it, readying my dismissal of the group.

Nicholas Coleman  |  Mar 31, 2021  |  0 comments
Green Day’s Insomniac 25th Anniversary Deluxe Limited Edition double LP is pressed on black or translucent orange vinyl (add $2) and includes Winston Smith’s cover art printed on prismatic silver foil. The first LP is a remastered version of the 1995 album. The second LP includes on side A selected live tracks from their revered 1996 Prague show and on side B an etching.

Nathan Zeller  |  Mar 30, 2021  |  16 comments
Lana Del Rey is living proof that what’s old will come around, and what’s new isn’t always better. AnalogPlanet readers and writers alike are quite familiar with this sentiment. Nothing beats the magic of the vinyl record. As most music consumers jump between formats, I often ask myself, “Why move past something that works so well?” Lana Del Rey, an enthusiast of all things vintage, asks the same question, only with music.

Michael Fremer  |  Mar 29, 2021  |  27 comments
The beating heart of this remarkable collaboration between electronic musician/composer Sam Shepherd, better known as Floating Points, saxophonist Pharoah Sanders and The London Symphony Orchestra is a repeated series of ethereal drops of glistening arpeggiated sonic dew Shepherd plays on synthesizer, piano and what sounds like a harpsichord over which Pharoah Sanders delicately flutters and dances—only occasionally producing the voluminous blasts heard in his late ‘60s and early ‘70s albums.

Nathan Zeller  |  Mar 19, 2021  |  1 comments
The history of recorded music is as long as it is terrific. While that may sound wonderful, I can assure you there are strings attached.

Today’s mainstream artists face an originality problem, one which many musicians feel no desire to solve— though there are some current exceptions including Jacob Collier, Kendrick Lamar, and Vulfpeck. Few lack the passion required to create something that is truly their own, but among those who do is 22 year-old Canadian Shawn Mendes—one of five under-the-age-of-18 artists in Billboard album chart history to debut at #1. On Wonder, his latest album, Mendes chases that very passion.

Joseph W. Washek  |  Mar 18, 2021  |  17 comments
On December 9, 2010 at about 11:30 pm, I was standing in front of Johnny D’s, a now defunct and demolished Somerville, Massachusetts club, alone with Bert Jansch who about an hour earlier had finished an hour plus set. It was cold, in the twenties and sleet was becoming snow. Bert was holding his guitar, uncased, by the neck in his right hand.

Ryan Clarin  |  Mar 01, 2021  |  10 comments
I Can See Your House From Here, originally released in 1994, is an outlier in the Tone Poet series, the bulk of which are past Blue Note titles, that for whatever reason or reasons, the label originally shelved only to release years later in limited production, and/or titles not released by other jazz audiophile outfits like Analogue Productions, Music Matters and Classic Records. The series also includes titles on Pacific Jazz, Solid State and a few other labels now under the Blue Note umbrella.

Nathan Zeller  |  Feb 27, 2021  |  5 comments
The music of Foo Fighters is never a far cry from the band’s influences. That’s true with their 2021 release, Medicine At Midnight: an album that throws into a melting pot their rock tendencies, disco roots, and funk fascinations. If this sounds interesting to you, that’s because it is.

Michael Leser Johnson  |  Feb 23, 2021  |  1 comments
Over the last 40 years, Giulio Cesare Ricci’s Fonè record label has been slowly churning out limited audiophile “one stage” (the same basic process as MoFi’s one-step) records using an all-analog chain. These Pallas-pressed recordings of classical, jazz and various other types of acoustic music are limited to 496 copies each. Why 496 specifically? Because Ricci is fond of the number, that’s all. Fonè is clearly a labor of passion and love for Ricci as he not only runs the label, but serves as his own recording and mastering engineer.

Mark Dawes  |  Feb 19, 2021  |  4 comments
Spoken word or sung poetry? There’s plenty of both in the British Isles: the rolling, sprawling narratives of Kai Tempest; the angular Sinead O’Brien, smiling in Irish; the arch delivery of Dry Cleaning; the startling machine-gun rapping of Little Simz; a new collection on Decca by Cerys Mathews, the first in a series of “poem song” albums, pairing poets with musicians from Hidden Orchestra. From the defiant 70’s reggae of Linton Kwesi Johnson, to the many decades of the late Mark E. Smith, to the current dystopian punk barrage of Sleaford Mods, the British Isles has an abundance of musical poetry on record, joined now by Londoner Arlo Parks.

Nathan Zeller  |  Feb 16, 2021  |  3 comments
To quarantine means to isolate for the safety of others. What it does not entail, is the ineptitude to collaborate, as shown by Tank and The Bangas with their newest EP, Friend Goals.

Nathan Zeller  |  Feb 16, 2021  |  12 comments
(Ed note: This is the first voice memo review on AnalogPlanet) Jacob Collier rightfully displays a childlike fascination with music. It would be a mistake, though, to confuse his youthful exuberance with mediocrity. The 26 year old, who released his first album five years ago, gets praise from music business legends. Herbie Hancock is in awe of Collier’s performance and production abilities. Quincy Jones, recognizing the multi-instrumentalist’s potential, signed Collier to his personal management division.

Michael Fremer  |  Feb 01, 2021  |  3 comments
The Nels Cline Singers doesn’t have a singer. The free jazz ensemble doesn’t even have a sewing machine. There you have it! Two! Two! Two jokes in one! A novelty name, yes, but the septet’s eclectic, shape-shifting music is serious musical business, though also as much fun as you might expect if you know bassist Trevor Dunn’s old group Mr. Bungle, which in 1990 started out as a death metal band, then a pseudo ska band and by 1991 into one sufficiently eclectic to draw the attention of John Zorn who produced its debut album.

Michael Fremer  |  Jan 27, 2021  |  59 comments
“Do we really need yet another version of Patricia Barber’s café blue? was my reaction upon hearing about IMPEX Records’ new $125 “One-Step” edition of this more than a quarter century old (1994) Premonition release.

Michael Fremer  |  Jan 26, 2021  |  17 comments
This limited to 1000 copies lavishly packaged "one-step" edition of John Coltrane's Lush Life sold out shortly after it was announced. Did you miss anything? If it's a favorite, probably. I hesitated to review it, much like I don't review The Electric Recording Company's limited editions that almost immediately sell out upon release announcement, but given Craft's uneven release history (unlike that of ERC), a review seems appropriate.

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