Interviews

Robin Trower is an unabashed guitar master. After he left British proto-prog rockers Procol Harum in 1971, he quickly established himself as an axeslinger/songwriter to be reckoned with via early albums like March 1973’s template setting Twice Removed From Yesterday, the perennial April 1974 FM favorite Bridge of Sighs, and February 1975’s eternally rifftastical For Earth Below, the latter of which was just released as a 180g 2LP 50th Anniversary Edition on June 27, 2025. In a recent interview, AP editor Mike Mettler and Trower discussed the differences between the 1975 and 2025 Earth mixes, the vibrancy of his new album Come and Find Me, and the key reason why his music simply sounds better on vinyl. . .

Progressive thinking, thy name is Alex Lifeson. The once and forever Rush guitarist recently found new creative life within his current four-person band Envy of None, and he couldn’t be happier. In an exclusive, wide-ranging interview with AP editor Mike Mettler, Lifeson discusses how he remastered his 1996 solo album Victor specifically for a 2024 2LP vinyl reissue, his album-sequencing philosophy for Envy of None’s powerful new LP Stij(ē)ən Wāvs, what the first LP and first 45 he ever bought were, and what he hopes Rush’s enduring legacy will be. . .

The legacy of David Lynch, the inimitable audiovisual pioneer who passed away a week ago on January 15, 2025, at age 78, lives forever on — not only onscreen, but also on vinyl. In an updated historical interview with AP editor Mike Mettler, Lynch discusses the first singles he ever bought, the differences between “objective” and “subjective” science when it comes to album sequencing, and the specific way his hard-of-hearing Twin Peaks character Gordon Cole would want to listen to music. . .

The 1990s were a decade of transition. It was a time when recording artists had to figure out how to move on from MTV-era preening and get back to creating their music more for aural satisfaction, not just visual pleasure. Everclear, an alt-rock trio from Portland, Oregon, made quite a splash during the ’90s — see “Santa Monica,” “Everything to Everyone,” and “Father of Mine,” for starters — but as the calendar turned to the 2000s, bandleader and chief songwriter Art Alexakis had a vision to chronicle how his life was falling apart, in two parts. The first half of that heart-wrenching story, July 2000’s Songs From an American Movie Vol. One: Learning How to Smile, was a smash hit on CD, but it never made its way onto vinyl. Intervention Records righted that wrong back in September 2024 with their limited-edition 140g 1LP translucent yellow version of Vol. One, which is one of AP’s Best Reissues of 2024. During a recent Zoom interview with AP editor Mike Mettler, Alexakis discusses why SFAAM Vol. One sounds better on vinyl, why he always sequences his albums with vinyl in mind, and if a second LP of the overarching SFAAM storyline is in the offing.. . .

JD Souther, a consummate American songwriter known for co-writing hits and choice deep cuts for (and with) the Eagles as well as for his poignant collaborations with James Taylor, Roy Orbison, and onetime life partner Linda Ronstadt, passed away at age 78 at his home in New Mexico on September 17, 2024. In an updated and expanded interview with AP editor Mike Mettler, Souther discussed his appreciation for good turntables and mastering for vinyl, how long it took “New Kid in Town” (one of the many hit Eagles songs he co-wrote) to finally come to full fruition, and what artists/producers must do to make “great” vinyl masters. . .

Bassist Roger Glover is the secret sauce of Deep Purple. His pub-rock roots fuel the sonic elixir that gives Purple’s musical bouillabaisse blend of rock, classical, and progressive the extra oomph it needs — and it’s something that’s well in evidence on Deep Purple’s latest, and 23rd, studio LP, the 180g 45rpm 2LP set named/numeraled = 1, which was released by earMUSIC/Edel on July 19, 2024. On a recent Zoom call with AP editor Mike Mettler, Glover discussed his instinctual connection with drummer Ian Paice, which version of the band’s classic 1972 LP Machine Head is his favorite, and what vintage Deep Purple albums he’d like to remix himself. . .

Bill Payne is a glue guy — as in, the co-founding keyboardist of Little Feat is the connective tissue that sweetens the musical pot of everything he touches, something that’s in full effect on Little Feat’s new 145g studio LP, Sam’s Place. In a recent Zoom interview with AP editor Mike Mettler, Payne discussed how Sam’s Place came together so instinctively, what some of his favorite vintage Little Feat tracks are on vinyl and why, and how the band mixes complexity and beauty together to create such a signature sound. . .