Interviews

If there’s a musician who’s taking better advantage of that figurative Dorian Gray picture on their wall than singer/songwriter/guitarist Dion DiMucci, we haven’t met them. The eternal Bronx-born Wanderer is still going strong at age 84, having issued three all-new 180g 2LP sets in the past four years. The most recent of which is Girl Friends, a four-sided, 12-track affair that celebrates Dion’s collaborative spirit and spark with a plethora of female artists, and it was just released by Keeping The Blues Alive this past Friday, March 8. In a recent Zoom interview with AP editor Mike Mettler, Dion discussed why he sequences his LPs like a live show, how “The Wanderer” is one of his definitive “bragging rights” songs, and why he’s considering resurrecting some of his personal favorite songs from years past on vinyl. . .

Whenever the calendar turns, almost inevitably, new Steve Hackett music is on the horizon — and thus we have before us the British guitar maestro’s 30th solo album, The Circus and the Nightwhale, which is being released tomorrow, February 16, 2024, as a 180g 1LP set via InsideOut Music. In a recent Zoom interview across the Pond with AP editor Mike Mettler, Hackett discussed the genesis (pun intended) of Nightwhale music, the importance of deploying volume dynamics whenever possible, and why Genesis was in no way going to compromise the depth and the integrity of the song arrangements they came up with for the initial vinyl release of their groundbreaking 1972 LP, Foxtrot. . .

Even though they initially took flight in the burgeoning digital age as the calendar turned to the 1990s, The Black Crowes have always had an analog-centric mindset. During a recent Zoom interview with AP editor Mike Mettler, Black Crowes lead vocalist Chris Robinson and lead guitarist/vocalist Rich Robinson, alongside producer George Drakoulias, all came together to discuss how finding the original quarter-inch master unlocked the Southern Harmony vinyl collection, which vintage turntables both Brothers Robinson swear by, and why sequencing the album for vinyl playback was always of primary consideration. . .

Phil Manzanera is quite the worldly musician. Lately, the guitarist/composer has been on a tear with his Roxy Music bandmate, saxophonist Andy Mackay, with three LPs en route: AM PM, Roxymphony, and Christmas — plus a fourth with Tim Finn, a limited edition 3LP set. During a recent Zoom interview with AP editor Mike Mettler, Manzanera discusses how AM PM instinctually came together, the differences between composing instrumentals as opposed to music accompanied by lyrics, and which Roxy Music album he feels is perfectly sequenced for vinyl playback. . .

Jamie West-Oram is a master of texture. Forty-plus years ago, the long-tenured guitarist of The Fixx forged a signature soundscape bed for the band’s chief lyricist and lead vocalist Cy Curnin to weave his timeless tales around, typically buttressed by adventurous keyboard figures from Rupert Greenall and more often than not buoyed by the studio acumen of producer Rupert Hine and engineer Stephen W. Tayler. During a recent Zoom interview with AP editor Mike Mettler, West-Oram discusses the genesis of his new solo album Skeleton Key, why The Fixx couldn’t just leave Side D of their 2022 2LP set Every Five Seconds blank, and how their 1983 breakthrough LP Reach the Beach retains such palpable resonance on vinyl to this very day. . .

Stewart Copeland has always followed the beat of his own drum — or, rather, he’s always been the consummate rhythmatist who’s unwaveringly laid down his own style of drumming perpetually in service of the song at hand. And now, the sonic fruit of his latest twisted muse, if you will, has manifested itself in a solo project somewhat cheekily dubbed Police Deranged for Orchestra, consisting of ten classic and deep-cut Police tracks rearranged — or “deranged,” in Copeland’s titular parlance — as released in its 1LP form by Shelter/BMG this Friday, June 23. During a recent Zoom interview with AP editor Mike Mettler, Copeland discusses how he opened up the dynamic range with all the Derangements he came up with for this album, how he shepherded the “perfect” snare, and just how meticulous he got when he wrote out the entire Deranged score for each orchestra member to follow. . .

Rufus Wainwright has pretty much followed the beat of his own musical drum since Day 1. Over the course of his multi-decade career, his impeccably ingrained singer/songwriter chops have often fused alt-rock proclivities with the compositional scope of George Gershwin and Franz Schubert. And now, Wainwright has returned to his other true roots with a new 2LP set dubbed Folkocracy, which was released via BMG today, June 2. The four-sided, 60-minute song cycle runs the gamut of a modern-yet-vintage blend of traditional folk and more contemporary fare alike. In a recent Zoom interview with AP editor Mike Mettler, Wainwright discusses why Folkocracy belongs on 2LPs instead of one and confirms the only song on the album he knew he had to go back and redo the vocal for, emphasizes the importance of maximizing his family connections on the second LP, and reveals his “secret dream” for how he’ll be able to thwart A.I. artistically. . .