Interviews

You can’t keep a good man down, especially when his name is Peter Frampton. It’s no accident Frampton’s current 27-date summer tour is titled — semi-tongue-in-cheek, mind you — Never Say Never. While Frampton continues touring, he is also on the cusp of the release of a historical new box set on July 28 via Intervention Records — namely, the all-analog Frampton@50: In The Studio 1972-1975 180g 3LP numbered, limited edition box set that tops out at 2,500 copies. During a recent Zoom interview with AP editor Mike Mettler, Frampton discusses his hands-on approach with the test pressings for what ultimately went into the Intervention box set, how he’d like to see his iconic 1976 double-live album Frampton Comes Alive! make it back to vinyl, and the one album in his catalog he’d rather not be reissued on vinyl at all. . .

After a decade-long battle with cancer, pioneering pianist/instrumentalist extraordinaire George Winston sadly passed at age 73 on June 4, 2023. For his part, Winston begat an instrumental artform initially known as “folk piano,” best exemplified by seasonally flavored LPs like 1980’s Autumn, 1982’s December, and 1982’s Winter Into Spring. In a previously unpublished interview with AP editor Mike Mettler, Winston discusses how he first came up with that folk piano playing style, how The Doors became one of his major influences in addition to his favorite New Orleans jazz players, and the key differences between what his left and right hands were charged with doing on the piano. . .

Certain albums serve as defining statements of a band’s career trajectory — and when it comes to the British melodic progressive rock band Wishbone Ash, 1972’s Argus is the shining example. To celebrate the golden anniversary of this milestone album, Wishbone Ash recently released the Argus 50th Anniversary Edition 1972-2022 multidisc box set via Madfish on April 14, 2023, with a special anniversary edition run of 5,000 copies that includes the remastered Argus on black vinyl and five tracks of Argus Live on yellow vinyl. In a recent phone interview with AP editor Mike Mettler, Wishbone Ash guitarist/vocalist Andy Powell discusses why the multiple movements in the lengthy album opener “Time Was” were absolutely critical for how the sound of Argus unfolded on vinyl, how the band pioneered the use of twin-guitar harmonics, and the specific sonic elements added to Argus they felt were lacking on previous albums. Read on to get Powell’s inside takes on why Argus continues to throw down the sword on vinyl. . .

It’s never too late to reclaim your legacy on vinyl. British guitar icon Steve Howe knows this concept quite well, in fact, and it’s the main impetus for what you see here —namely, the full revamping of his pre-Yes 1960s band Tomorrow’s debut February 1968 LP, now duly recast and retitled Permanent Dream, which was released in its new, 140g 1LP form by Spirit of Unicorn Music/Parlophone on April 28. In a recent Zoom interview with AP editor Mike Mettler, Howe discusses his “psychedelicized” impetus for revamping the original Tomorrow album, why the Permanent Dream tracklisting needed to be both revised and resequenced, and why the song that takes up the entirety of Side 1 of Yes’ iconic December 1973 double LP Tales From Topographic Oceans is actually shorter than it was intended to be. Read on to found out how Howe decided to bring Tomorrow into the vinyl world of today. . .

Is it any wonder why something called Vinyl Obsession instantly became our favorite TV show? Airing on Sunday nights at 8:30 p.m. EST on AXS TV, this half-hour LP-centric show follows a pair of musicians and/or rock-adjacent celebs shopping for their five favorite albums at Grimey’s in Nashville. Naturally, we had to find out how Vinyl Obsession came to be, so AP editor Mike Mettler got on Zoom with executive producer and AXS TV VP of programming Katie Daryl to get all the LP-obsessive details. Read on to see what Daryl had to say about how the idea for Vinyl Obsession moved from brainstorm into reality, who her main dream guest would be for Season 2, and what her own personal top LP choices are. . .

There’s a special intuitive connection certain musicians share that cannot be qualified in technical terms, but can instead be described as being both magical and mysterious. Case in point: the 60-years-and-counting musical mindmeld between lead vocalist Colin Blunstone and keyboardist/vocalist Rod Argent, the twin driving forces behind British invasion stalwarts The Zombies. Still going strong today, The Zombies are on the precipice of the imminent release of their seventh studio album, Different Game, which comes out in fine 1LP form on March 31 via Cooking Vinyl. In a recent Zoom interview with AP editor Mike Mettler, Zombies vocalist Colin Blunstone discussed the connective sonic tissue between Different Game and their 1968 masterpiece Odessey and Oracle, why he prefers hearing songs like “Time of the Season” in mono, and why the Odessey album benefitted from some things The Beatles left behind in EMI Studios while they were recording their legendary June 1967 Sgt. Pepper album. Read on to glean all the properly seasoned details. . .

“It’s nice to talk analog. You’re speaking my language.” That’s Janis Ian, iconoclast singer/songwriter who’s made a lifetime-slash-career out of breaking barriers and forging new paths when it comes to making music that is equal parts folk, country, rock, and all points in between. And she’s very much speaking our language too, of course. Read on to see what Ian and AP editor Mike Mettler discussed when they got on the phone recently to delve into the making of Light, the importance of evaluating test pressings, and how she applies analog-oriented principles to catalog reissues regardless of the format. . .