Interviews

All I want for Christmas is . . . more vinyl. Just ask Smithereens drummer Dennis Diken, who got his first real taste for wax during Christmas as a wee lad, when he received a literal cavalcade of 45s under the tree. In the spirit of the season, Smithereens vinyl fans can rejoice with the news that the four-man New Jersey-bred band’s October 2007 holiday-themed album Christmas With The Smithereens is out now in limited-edition 140g 1LP form, courtesy of Sunset Blvd. Records. Diken got on Zoom with AP editor Mike Mettler recently to discuss all those special 45s he got for Christmas back in 1962, the fine art of album sequencing, and why having Smithereens music on vinyl remains vitally important to the band’s legacy. . .

Bryan Adams is a consummate and restless performer, so when the lockdown happened, he got right down to work in his home studio to keep himself busy. Not only did he come up with an album of all-new material — March 2022’s So Happy It Hurts, a 180g 1LP offering via BMG — but he also took a long, hard look at the four-plus decades of his recording career and decided to recut over a dozen of his favorite tracks under the umbrella of Classic. Initially, these classic Adams songs, with all the vocals sung anew and essentially all the instrumentation played by the man himself, were released digitally in two increments as Classic and Classic Pt. II, and they will soon enough be combined into a 180g 2LP set in January 2023. Adams got on Zoom with AP editor Mike Mettler to discuss why he not-so-secretly always wanted to be a drummer, why vinyl remains such an important touchstone to him to this day, and what songs of his might make the cut for the next installment of Classic — and, of course, much, much more. . .

Let’s face it — January 1977’s Animals has always been considered to be somewhat of a dark horse in the Pink Floyd recorded canon. Yet here in Year 45 of Animals, the album is finally getting a rightly deserved re-evaluation, thanks to the just released Animals 2018 Remix. To learn more about the process of getting from there to here, AnalogPlanet spoke exclusively to Pink Floyd drummer Nick Mason about what elements of the original album stand out more on the remix, which Pink Floyd albums sound better in mono on vinyl, and why the band was compelled to make new music in 2022. Read on to find out why that Animals 2018 Remix is breaking away from the pack . . .

Freedom is 73 minutes of prime 21st century Journey, whether it’s the affecting balladry that made the band a household name or the more adventurous, progressive-leaning epics that hearken back to the band’s early/mid-’70s roots. Founding guitarist Neal Schon speaks exclusively to AnalogPlanet about the challenges of sequencing Freedom for double vinyl, how listening to jazz and blues records growing up influenced his playing and arranging skills, and what vintage deep cut he’d like to pull out of the vaults to play during Journey’s upcoming 50th anniversary celebrations. Don’t stop readin’ . . .

ZZ Top’s RAW – That Little Ol’ Band From Texas’ Original Soundtrack is a 180g 1LP release born and bred from an intimate performance that took place for the band’s June 2019 documentary. ZZ Top guitarist/vocalist Billy F Gibbons exclusively tells Analog Planet how RAW came to pass, why physical proximity can lead to better performances, and what records are never too far from his vintage Thorens turntable. Read on for the full ZZ story. . .

“I’ve been a harmony singer most of my life. I know what to do, and where to be.”

That’s Graham Nash, 80 years young, not only defining his artistic M.O. as a tenor vocalist, but also speaking to his inherent instincts for knowing what the right tones are for the music he’s making, and, frankly, where he stands on life and society in general.

It was the mid-80’s, and I was a college radio DJ at St. Mary’s College of California. These were the pre-Internet days, and in our lives music was the predominant force. CDs were slowly emerging, but vinyl was still king. We would spend long nights spinning records in the KSMC studio and discussing the artists on the air, while the rain beat quietly on the windows.