Album Reviews

The ongoing impact and popularity of Led Zeppelin’s February 1975 epic 2LP set Physical Graffiti is undeniable. In celebration of that album’s 50th anniversary, the mighty Zep have deemed today, September 12, 2025, as the day to reissue a deluxe remastered 3LP edition of that all-important core album in addition to a separate, companion four-song Live EP, the latter of which houses a quartet of songs that have never been released officially on vinyl until now. Read Mark Smotroff and Mike Mettler’s combo review of both the Physical Graffiti 3LP and Live EP releases to see why they belong in your Zep-centric vinyl collection ASAP. . .

Often dividing fans as far as favorite Steely Dan albums go, their fifth studio LP on ABC, May 1976’s The Royal Scam, is an arguable breakpoint between the harder-rocking early incarnations of the group and the more progressive, smoothly jazz-infused albums to come. Read Mark Smotroff’s combo review of the recently released Analogue Productions 200g 45rpm 2LP UHQR edition and companion “standard” remaster 1LP version from Geffen/UMe to see why The Royal Scam deserves a reassessment by those who may not be giving it its proper due. . .

When it comes to recordings of the blues, there are different pockets of reissue-related activity that remain of interest to many music enthusiasts these days. Three new recent LP upgrades from three different iconic names span several generations of interest — namely, mid-20th-century icons John Lee Hooker and Memphis Slim along with Furry Lewis, who began recording in 1927. Read Mark Smotroff’s combo Short Cuts review to see if BMG’s new reissue of Hooker’s 1992 Pointblank/Charisma album Boom Boom, along with Craft Recordings’ Bluesville Series reissues of both pianist Memphis Slim’s 1959 Vee-Jay debut At The Gate of Horn and acoustic fingerpicking/slide guitarist Furry Lewis’ 1961 Prestige/Bluesville LP Back on My Feet are all worthy of buying and spinning. . .

Talking Heads’ 1978 sophomore album More Songs About Buildings and Food — which was released 47 years ago this month on July 14, 1978 — marked the beginning of the burgeoning NYC band’s fertile association with visionary producer/artist Brian Eno. Sire/Rhino’s 4LP super deluxe edition of More Songs About Buildings and Food — which just dropped today, July 25, 2025 — is the latest entry in a much-anticipated series of remastered vinyl and expanded offerings that are being released in conjunction with the celebration of the 50th anniversary of Talking Heads’ formation. Read Mark Smotroff’s review to see why this most excellent Food box set belongs on your table — turntable, that is. . .

Two iconic pillars of fantastic, fast ’n furious funkified artistry are the focus for today’s deep funk ‘n’ soul edition of our ongoing Short Cuts review series: 1) Fire on the Bayou, the Allan Toussaint-produced, Reprise-released July 1975 sixth LP from New Orleans legends The Meters, and 2) The Baby Huey Story: The Living Legend, the lone LP from James “Baby Huey” Ramey, an album that went on to become an influential, and heavily sampled, release for the hip-hop generation. Read Mark Smotroff’s combo Short Cuts review to see how Rhino Reserve has brought these two classic LPs new life on 180g vinyl. . .

Candid Records was a short-lived (1961-63) but respected label out of New York City owned by producer, arranger, and musician Archie Bleyer, and it was helmed by legendary jazz critic Nat Hentoff. A recent spate of Candid reissue LPs have come to our attention, so check out Mark Smotroff’s combo Short Cuts review of three of them — newly cut LPs of vintage albums from underappreciated jazz vocalist Nancy Harrow, noted jazz pianist Jaki Byard, and legendary bluesman Memphis Slim — to see if you need to add any or all of them to your “must get” list. . .

Mark Smotroff takes us through the many on-vinyl highs of the rich recorded life of Brian Wilson, the visionary pop composer who passed away at age 82 on June 11, 2025. Read on to see which Beach Boys records and Brian Wilson solo LPs are worth surfing through again and again on vinyl. . .