Album Reviews

The beating heart of this remarkable collaboration between electronic musician/composer Sam Shepherd, better known as Floating Points, saxophonist Pharoah Sanders and The London Symphony Orchestra is a repeated series of ethereal drops of glistening arpeggiated sonic dew Shepherd plays on synthesizer, piano and what sounds like a harpsichord over which Pharoah Sanders delicately flutters and dances—only occasionally producing the voluminous blasts heard in his late ‘60s and early ‘70s albums.

On December 9, 2010 at about 11:30 pm, I was standing in front of Johnny D’s, a now defunct and demolished Somerville, Massachusetts club, alone with Bert Jansch who about an hour earlier had finished an hour plus set. It was cold, in the twenties and sleet was becoming snow. Bert was holding his guitar, uncased, by the neck in his right hand.

The music of Foo Fighters is never a far cry from the band’s influences. That’s true with their 2021 release, Medicine At Midnight: an album that throws into a melting pot their rock tendencies, disco roots, and funk fascinations. If this sounds interesting to you, that’s because it is.

Spoken word or sung poetry? There’s plenty of both in the British Isles: the rolling, sprawling narratives of Kai Tempest; the angular Sinead O’Brien, smiling in Irish; the arch delivery of Dry Cleaning; the startling machine-gun rapping of Little Simz; a new collection on Decca by Cerys Mathews, the first in a series of “poem song” albums, pairing poets with musicians from Hidden Orchestra. From the defiant 70’s reggae of Linton Kwesi Johnson, to the many decades of the late Mark E. Smith, to the current dystopian punk barrage of Sleaford Mods, the British Isles has an abundance of musical poetry on record, joined now by Londoner Arlo Parks.

(Ed note: This is the first voice memo review on AnalogPlanet) Jacob Collier rightfully displays a childlike fascination with music. It would be a mistake, though, to confuse his youthful exuberance with mediocrity. The 26 year old, who released his first album five years ago, gets praise from music business legends. Herbie Hancock is in awe of Collier’s performance and production abilities. Quincy Jones, recognizing the multi-instrumentalist’s potential, signed Collier to his personal management division.

“Do we really need yet another version of Patricia Barber’s café blue? was my reaction upon hearing about IMPEX Records’ new $125 “One-Step” edition of this more than a quarter century old (1994) Premonition release.