"Heigh Ho"—Blake Mills Goes to Work
On this album, released two years ago, Mills breaks free from sideman status to produce and perform a startlingly original album that you are guaranteed to love first play and be stunned every play by its originality, ingenuity, good humor and stunning sound, recorded at Ocean Way.
On this album Mills takes a basic country music construction and by twisting, shaking and rolling it, creates a sprawling yet tightly compacted, crunchy, mind blowing sound that's both familiar and refreshingly original. If you think you've heard it all, but in variations, you will change your mind when you listen to this.
Blake loves sound, loves manipulating it in the studio and does so here on every track, producing surprises around every musical corner. The music shimmers, crunches and slides through four 180 gram sides that will keep you smiling and delighted throughout.
He's got onboard Fiona Apple, Benmont Tench, the drummer Griffin Goldsmith of Dawes (Mills was an original member of Simon Dawes, the precursor to Dawes), Don Was, Jim Keltner and many other "name" musicians but Blake is no sideman here. He's the star.
While this album was released two years ago, it's still ahead of its time and because it is not categorizable, it's slipped through many publicity and promotional channels. I don't know where it would be get airplay, but it definitely should on your turntable.
If you really need to "slot" this album, think of Ry Cooder and Van Dyke Parks on acid. Okay? It's nicely gatefold packaged with a color booklet and well-pressed too at QRP. Most highly recommended!
Here's Joe Harley's "The Joe Zone" video: