LATEST ADDITIONS

Michael Fremer  |  Oct 31, 2010  |  First Published: Dec 31, 1969

This Rolling Stones discography written for issue 4 of The Tracking Angle, may have gathered some moss, but it still has some valuable information for Stones LP collectors
(Photo shows American distributed UK pressed FFRR edition of Out of Our Heads)

Michael Fremer  |  Oct 31, 2010  |  First Published: Dec 31, 1969

This Rolling Stones discography written for issue 4 of The Tracking Angle, may have gathered some moss, but it still has some valuable information for Stones LP collectors (Photo shows Decca UK FFSS Their Satanic Majesties Request

Michael Fremer  |  Oct 31, 2010  |  First Published: Dec 31, 1969

The third and final part of The Rolling Stones discography

Michael Fremer  |  Oct 01, 2010

Well this is embarrassing: I've played often and enjoyed this excellent sounding reissue featuring L.A. based anglophile singer/songwriter Emitt Rhodes in preparation for this write-up but the record has gotten lost here somewhere.

Michael Fremer  |  Oct 01, 2010

Recorded in glorious mono in 1956 and issued first in 1957, this set of small combo standards with Cole both singing and playing the piano remains as fresh and vital as it did when originally released. 

Michael Fremer  |  Oct 01, 2010

In an indie-rock era saturated with smirky, slacker irony, the roots-rocker Ray La Montagne comes across as downright solemn. He and his group execute cleanly and almost reverentially, funk, blues, jazz and country, which La Montagne sings in a honey coated gruff voice that veers between Joe Cocker and Tim Hardin. The man is sincere and like Tim Hardin, he knows how to move three chord rounds. 

Michael Fremer  |  Oct 01, 2010

Trumpeter Kenny Dorham brought Joe Henderson to Blue Note and on the late tenor saxophonist's second lead album gives him strong support as the two chase each other through some zig-zag bop thickets. "Teeter Totter," the fast-paced Henderson-penned opener alone is worth the price of admission but the other tracks simmer with equal intensity.

Michael Fremer  |  Oct 01, 2010

You could argue the advisability of naming a sophomore effort Everybody Digs Bill Evans but today it’s clear that everybody in fact does, or still does depending on your feelings about that second album’s title.

Michael Fremer  |  Oct 01, 2010

What possessed Amanda Palmer to cover Radiohead playing her "magic ukelele"? Who knows? Did this inspire Eddie Vedder to issue a ukelele-based record? What would Arthur Godfrey think of all of this (look him up if you're too young to know who he is)?

Michael Fremer  |  Oct 01, 2010

Henry Saint Clair Fredericks A/K/A Taj Mahal grew up in Harlem, spent time as a teenager on a Massachusetts dairy farm, attended U of M, gigged around and finally headed west and built a musical career first in Los Angeles and later in the Bay area. The life influences come through in his music: a mix of urban and country blues mixed with world music.

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