LATEST ADDITIONS

Michael Fremer  |  Sep 01, 2006

Presaging the "Christian rock" phenomenon of the 1990's, this Farfisa-filled fire and brimstone exercise in religious guilt asks where you will hide when Armageddon happens and your personal judgment day is at hand.

Michael Fremer  |  Sep 01, 2006

This Glasgow-based pop band, led by lead singer and songwriter Tracyanne Campbell produces breezy, tuneful string-driven pop confections bathed in near-cavernous reverb. So great is the reverb that what are real strings sound like synth ones. Oh, well.

Michael Fremer  |  Aug 01, 2006

These songs will be familiar to you if you attended a “socialist” summer camp during the 1950’s and/or 1960’s. I did. What’s a “socialist” summer camp? It’s roughly defined as one that had an on staff guitar and banjo-playing Pete Seeger following pre-Hippie collegiate or “long hair.”

Michael Fremer  |  Aug 01, 2006

Better late than never to discover this family of fanciful, faith-based music makers living in Clarksburg, New Jersey, a small hamlet located between Trenton and Point Pleasant on the New Jersey shore.

Michael Fremer  |  Aug 01, 2006

Former Kinks frontman Ray Davies’ fans are among the most fan-atic in rock. I found out the hard way when I dared to post a less than fawning review of an Irving Plaza show I attended last spring on a Kinks fan newsgroup that I joined.

Michael Fremer  |  Aug 01, 2006

I think there’s a recent interview with these guys online but I don’t want to read it. The less I know the better.

Michael Fremer  |  Aug 01, 2006

This album of analog (or analog sounding) bleeps, blops and buzzes, backed by a drum track apparently created from real skins by Mr. Hebden, has an organic, hypnotic, soothing quality that many will find attractive.

Michael Fremer  |  Jul 31, 2006  |  First Published: Dec 31, 1969

Editor's note (please read!).

This story was written in the late 1980's. I don't remember the exact date. At the time, Greg Calbi and Ted Jensen were working for Sterling Sound. Between then and today (2005), Calbi left Sterling and went to work for competitor Masterdisk for a few years. He later returned to the new Sterling Sound (www.sterling-sound.com), a sprawling complex on Manhattan's west side near the "meat packing district," where Ted Jensen and George Marino also work as part of one of the most distinguished teams of mastering engineers anywhere in the world.

So much has changed since this piece was written. Vinyl has made a comeback, digital has improved, and more people are willing to go on record extolling the superiority of analog and vinyl. I'm not sure if these two guys will go on record on it, but perhaps we'll hear from them and if so, we'll let you know.

Please keep in mind the dated nature of so much of what you're about to read. However, despite being "ancient history," I think this story remains a good read and I hope you agree.-MF

Michael Fremer  |  Jul 31, 2006  |  First Published: Dec 31, 1969

Editor's note (please read!). This story was written in the late 1980's. I don't remember the exact date. At the time, Greg Calbi and Ted Jensen were working for Sterling Sound. Between then and today (2005), Calbi left Sterling and went to work for competitor Masterdisk for a few years. He later returned to the new Sterling Sound (www.sterling-sound.com), a sprawling complex on Manhattan's west side near the "meat packing district," where Ted Jensen and George Marino also work as part of one of the most distinguished teams of mastering engineers anywhere in the world.-MF

Michael Fremer  |  Jul 03, 2006

True to the label’s intentions and name, Zane Musa is a muscular-toned, “straight ahead” alto sax bopper, accompanied on this superb sounding disc by like-minded Southern California jazz musicians on a set of well worn but always comfortable jazz standards.

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