LATEST ADDITIONS

Michael Fremer  |  May 01, 2010  |  1 comments

The Bay area based Blue Cheer issued this raw blues-psych record that runs a little more than a half an hour on the Philips label back in January of 1968.

Michael Fremer  |  May 01, 2010  |  0 comments

I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.

Michael Fremer  |  May 01, 2010  |  0 comments

Freddie Hubbard’s group leading debut may not have been his finest album but it was a great one and an auspicious debut for the then 22 year old who would go on to play on some of the greatest jazz albums ever, some of which he fronted.

Michael Fremer  |  May 01, 2010  |  0 comments

If you want to know what the early 1960’s felt like, listen to this lushly and dramatically orchestrated Sinatra, bathed in opulent, moonlit reverb and surrounded by cushiony strings spread out on an impossibly huge, wide and deep soundstage.

Michael Fremer  |  May 01, 2010  |  0 comments

This very limited double 45rpm set should have sold out within weeks of its release but that probably didn’t happen.

Michael Fremer  |  May 01, 2010  |  0 comments

Back in the 1940s the legendary concert promoter, record producer and record company head Norman Granz conceived of jazz performances in a classical music style concert setting.

Michael Fremer  |  May 01, 2010  |  0 comments

Fats Waller had been gone twelve years when Louis Armstrong and his All-Stars recorded this tribute album in 1955. Sadly, the notorious overeater died at 39 of a heart attack.

Michael Fremer  |  May 01, 2010  |  0 comments

These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments

Five years ago, during a visit to the Hi-Fi News “Heathrow” audio show someone passed along an intriguing tidbit: EMI’s mothballed record pressing plant was back in business on the Hayes-Middlesex campus. Since it was but a short cab ride from the show venue, I paid an unscheduled visit.

Michael Fremer  |  Apr 30, 2010  |  First Published: Dec 31, 1969  |  0 comments
All that's left of the original Hayes-Middlesex EMI record manufacturing facility is the landmark smokestack shown in the top photo.The current PortalSpace pressing plant resides in the buildings shown on the left of the second photo.The third photo shows the busy PortalSpaceRecords loading dock.

Once inside, you come upon the packing department, where on the day of my visit, I found workers placing George Harrison's Living In The Material World LPs into jackets. The finished package is then shrinkwrapped and boxed for worldwide shipment.

Pages

X