Mercury Living Presence Six LP box?
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Graceland At Twenty Five
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Legacy Announced Record Store Day Offerings.
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They Beat Their Own!
This eclectic instrumental group combines synth, drums, guitars, bass and cello to produce a hard driving, propulsive percussive sound that's rich with scraping, edgy textures one minute and warm, inviting and lagoon-like the next—though almost always with strong forward motion.
Sometimes it sounds like robotic exotica, other times like Eno with arthritis or an introspective Blue Man Group. But always the team leaves plenty of open space between the instruments.
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Dusty's Southern Excursion Has Never Sounded This Good
Audio Fidelity Takes on The Sensual World
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Store Gone, Fountains Still Spew
Named for a now defunct Northern New Jersey, Route 23 lawn furniture emporium (bought my chaise lounges there!), Fountains of Wayne has been making consistently tuneful and erudite observations about just plain folks since 1996 when they released their eponymous first album on Atlantic Records. The core was then and is now, the delightfully bratty-voiced Chris Collingwood and his multi-instrumental partner Adam Schlesinger.
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Mo-Fi Reissues Peak, Sentimental Rod
While still with The Jeff Beck Group, Rod Stewart signed as a solo artist with Lou Reizner, an American Mercury Records producer living in the UK at the time, who had his ear to the musical firmament.
While still with The Jeff Beck Group, Rod Stewart signed as a solo artist with Lou Reizner, an American Mercury Records producer living in the UK at the time, who had his ear to the musical firmament.
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ORG Polishes Decca/London Sonic Crown Jewel
Long considered one of the great recordings of the early stereo era, España was originally issued in the UK on the British Decca label (SXL 2020) and on American subsidiary London (CS6006).
The recording venue, Kingsway Hall, was one of British Decca's finest and it produced many legendary recordings including The Royal Ballet Gala Performances issued by RCA in America—one of a number of superb Decca recordings licensed by RCA.
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You Can't Roll A Joint on an iPod
A terrible wrong has been corrected! Lovingly produced by Phil Ramone and engineered by the great Al Schmitt all-analogue at Shelby Lynne's insistence, the original vinyl release of this album was mastered from an 88.2K digital file and pressed at United in Nashville, America's and one of the world's worst pressing plants.
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