Album Reviews

This album of analog (or analog sounding) bleeps, blops and buzzes, backed by a drum track apparently created from real skins by Mr. Hebden, has an organic, hypnotic, soothing quality that many will find attractive.

Whether covering Robert Johnson, Joni Mitchell, Hank Williams or The Monkees (Boyce and Hart), Cassandra Wilson’s sultry, commanding voice has always worked effectively set against spare, moody backdrops.

Never mind that the tape has some occasional serious dropout, never mind that the legendary performance of the title track “One Down, One Up” commences mid way through the tune during a Jimmy Garrison bass solo, never mind that these performances are station dubs from live radio broadcasts, never mind Alan Grant’s radio announcements sprinkled throughout, and never mind that this treasure trove is probably not in the same league historically as the Thelonious Monk/John Coltrane Carnegie Hall concert unearthed at the National Archives and issued by Mosaic on vinyl recently (MQ1-231).

This most popular of Green Day albums, a swell kiss off to Bush and his rogue administration is now so old it’s grown whiskers, but it hasn’t lost any of its punch. In fact, cut to wax it intensifies into a category five musical and political hurricane.

The latest Sigur Rós album is yet another soundtrack to an imaginary movie you’re asked to create in your own head. The swelling orchestral resolves mostly corral you into thinking goodness and heavenly inspiration with singer "Jonsi"’s high pitched child-like (and sometimes cat-like) vocals sung either in a language of his invention and on some tracks for the first time actual Icelandic, making it easier for your personal invention as you’ll have no idea what he singing about. Not that it matters. The group’s music wears its mostly uplifting emotional heart on its sleeves.

Well, is the uber-buzz justified? Fastest-selling debut album; Greatest band since the Beatles, number 287 in a series (collect ‘em all)?

Will there ever be another jazz singer with the elegance, clarity, and emotional depth of the late Shirley Horn? I don’t think so. Horn put more into, and got more out of her pauses than many singers get of the notes they actually sing. Her piano playing was equally sophisticated yet economical. Everyone from Joni Mitchell to Diana Krall has been influenced by Shirley Horn.