Album Reviews

Johnny Cash's third album and his major label debut  recorded in 1958 and issued in early 1959 doesn't mess much with the Sun era shuffle-and-twang musical formula. Luther Perkins does the twanging as he did as a member of The Tennessee Three, Cash's backing group but the overall sound is somewhat watered down.

At a party the other day, I heard a guy complaining about the sad state of rock’n’roll, pop, or whatever you want to call it. “Where are today’s Beatles,” he demanded to know. “Listen to the crap on the radio,” he went on. I tried to remind him that aside from the odd ‘60’s cultural inversion that made what was good, popular, (Beatles, Stones, Byrds, Motown, etc.), much of what was good was not popular (Dylan for instance), and that by the end of the decade what we consider “popular,” (Hendrix, Clapton, Cream, Leonard Cohen, Nick Drake, etc.) were essentially “underground” acts, way outside of the mainstream “Top 40.”

One can imagine Chan Marshall sitting herself down in a darkened, candle-lit Ardent Studios in Memphis, singing these melancholic songs in late night sessions stretching until dawn.

From the NAIM archives comes this triple LP/double CD set, originally issued as two, long out of print, individual CDs, featuring Charlie Haden’s Quartet West, featuring Saxophonist Ernie Watts, pianist Alan Broadbent and the late, great drummer Billy Higgins on one session and the great, not late Paul Motian on the other.

The Jazz Detective label has done truly great work in preparing Chet Baker’s new 180g 2LP set, Blue Room: The 1979 VARA Studio Sessions in Holland, for its Record Store Day 2023 release on April 22. Read on to see why Mark Smotroff feels should be near the top of your own RSD 2023 acquisition wishlist. . .