Album Reviews

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Michael Fremer  |  Jul 01, 2010  |  0 comments

This “supergroup” trio side project featuring Foo Fighter Dave Grohl, Queens of the Stone Age Joshua Homme and Led Zep bassist/keyboardist John Paul Jones is sure to please lovers of classic rock and heavy metal, not to mention Led Zep fans of all ages. They’ve even got a logo.

Michael Fremer  |  Dec 01, 2010  |  0 comments

It's an unacceptable prejudice and this review has nothing to do with me, but I admit to having had a problem with Lionel Hampton because he was a Nixon supporter. Isn't that ridiculous? I mean having a problem with it, not that Hamp supported tricky Dick. His politics are his of course, but this prejudice took hold during the 1970s.

Michael Fremer  |  Apr 01, 2008  |  1 comments

At a time when the shortsighted have all but declared the album form either dead or dying, Suzanne Vega's latest one (issued on CD July, 2007 and more recently on vinyl by Classic Records) is a cool reminder that putting together a coherent program of well-produced (and carefully recorded) tunes remains a most satisfying musical art form. The album won a well-deserved Grammy, this past February (2008), for "Best Engineered Album, Non-Classical."

Michael Fremer  |  Jul 01, 2006  |  0 comments

Whether covering Robert Johnson, Joni Mitchell, Hank Williams or The Monkees (Boyce and Hart), Cassandra Wilson’s sultry, commanding voice has always worked effectively set against spare, moody backdrops.

Michael Fremer  |  Jan 24, 2017  |  4 comments
We think of "field recordings" as vital ancient musical history, primitively captured. These "field recordings" dating from the 1990s were recorded using a pair of Bruel & Kjaer 4165 microphones and B&K power supply, Cello preamp, Apogee 1000 ADC and a Nagra D digital recorder given by Mark Levinson (the man) to producer Timothy Duffy .

Michael Fremer  |  Oct 01, 2010  |  1 comments

Henry Saint Clair Fredericks A/K/A Taj Mahal grew up in Harlem, spent time as a teenager on a Massachusetts dairy farm, attended U of M, gigged around and finally headed west and built a musical career first in Los Angeles and later in the Bay area. The life influences come through in his music: a mix of urban and country blues mixed with world music.

Michael Fremer  |  Jun 19, 2012  |  5 comments
Talk Talk's Mark Hollis may have long ago retired from the music business, but his musical legacy prospers and grows. A near cult-like devotion hovers around the group's records as succeeding generations discover his dense, probing, faith-based cogitations. The intensity and strength of his spiritual commitment was matched only by the forcefulness of his later "spirited" rejection.

Mike Mettler, Mark Smotroff  |  Aug 25, 2023  |  32 comments

For the very first time, Rhino has released the entirely of Talking Heads’ soundtrack to their seminal September 1984 concert film, Stop Making Sense, in a remastered 2LP set. In this all-new combo-style tag-team review, Mike Mettler and Mark Smotroff tell us exactly why this new 40th anniversary 2LP SMS set is the best-sounding edition of SMS to date. . .

Michael Fremer  |  Feb 01, 2008  |  0 comments

The acclaimed violinist Salvatore Accardo commissioned arranger Francesco Fiore to re-imagine his dear friend Astor Piazzolla’s “Adios Nonino,” for, violin, piano and orchestra. Not a bandoneon can be heard on this lush, extraordinarily moving tribute to the great tango composer’s father, whose middle name was “Nonino.”

Nathan Zeller  |  Feb 16, 2021  |  3 comments
To quarantine means to isolate for the safety of others. What it does not entail, is the ineptitude to collaborate, as shown by Tank and The Bangas with their newest EP, Friend Goals.

Michael Fremer  |  Jun 28, 2015  |  29 comments
Taylor Swift’s 1989 released in October of 2014, sold 1.27 million albums in its first week and debuted at #1 on the Billboard Top 200 chart. By the end of the year it had sold 3,660,000 copies, remaining at the top of the chart for most of that time.

Michael Fremer  |  Mar 01, 2012  |  1 comments

Dad did love his work, more than his family and marriage to Carly Simon, or more accurately put,  forced to choose between the two by Simon, he chose the road and his career.

Mark Smotroff  |  Jun 29, 2023  |  7 comments

Tears For Fears’ synth-centric March 1983 debut album The Hurting set the stage for the broader scope of their ensuing worldwide mega-breakthrough. This key album is now being properly feted with a 180 1LP reissue from Mercury/UMC, as half-speed mastered by Miles Showell at Abbey Road Studios. Read Mark Smotroff’s review of the fine new 40th anniversary edition of The Hurting to see just how Tears For Fears laid the groundwork for their still-innovative soundscapes. . .

Michael Fremer  |  Aug 01, 2007  |  0 comments

A friend told me that Blonde Redhead purists simply hate this album, or at least they’re disappointed by the New York based group’s 7th. Disappointed by what they claim is overproduction, over-thinking and artifice in place of substance.

Michael Fremer  |  May 01, 2010  |  0 comments

I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.

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