Album Reviews

A pair of recent reissues of two raw, rockin’ classic LPs by Howlin’ Wolf and Muddy Waters are arguably ground zero for modern electric blues music as we know it today. Kicking off UMG’s 75th anniversary celebration of the venerable Chess Records label late last fall, Howlin Wolf’s Moanin’ in the Moonlight (1959) and Muddy Waters’ The Best of Muddy Waters (1958) are two of the LPs that ushered in the parent label’s Audiophile Vinyl Reissue Series, with Acoustic Sounds handling the 180g pressings. Read Mark Smotroff’s review to see why both of these reissues are vital additions to your collection. . .

For many music enthusiasts just getting into jazz, the arguable best way to discover the work of the legendary saxophonist John Coltrane is to, in fact, listen to his seminal recordings made for the Atlantic label in the early 1960s — and listen to them in mono. And thus, that leads us directly to today’s review subject, John Coltrane’s 1960–1964 Mono, a 180g 6LP box set released via Rhino’s most excellent High Fidelity Series back in late November 2025 as the ostensible kickoff celebration for this year’s Coltrane Centennial. (The late, great Trane was born in September 1926.) Read Mark Smotroff’s review to see exactly why you should make the investment to get your hands (and ears) on the 1960–1964 Mono collection. . .

In December 1973, Yes issued Tales From Topographic Oceans, a double album that some fans consider to be the greatest record they ever made, while others view it as a time-marker pinpointing the precise moment where the entire progressive rock genre went off the rails. Either way you look at it, the galvanizing, chart-topping Tales From Topographic Oceans is being rightly celebrated today, February 6, 2026, with the release of an exemplary, expansive super deluxe edition from Atlantic/Rhino that includes 2LPs, 12CDs (yes, 12 CDs), and 1BD — a truly deep-dive for (re)consideration of this remarkable recording. Read Mark Smotroff’s review to see exactly why this new collection of Tales is worthy of repeat sailing, er, spinning on your turntable . . .

Many music fans consider Electric Warrior, the classic September 1971 Reprise LP by Marc Bolan’s T. Rex, to be ground zero for the music genre known as glam rock. Indeed, popular music’s trajectory at that time would likely be very different if not for the success of this album, which has long been an in-demand fan-favorite LP. And thus, a new, audiophile-worthy remastered 180g 1LP version of it courtesy Rhino’s most excellent High Fidelity Series was very much in order. Read Mark Smotroff’s review to see if you need to get it on with the Kevin Gray remaster of Electric Warrior ASAP. . .

In August 1978, Akron, Ohio’s groundbreaking conceptual art rock band Devo released their Warner Bros. debut, which boldly posed the compelling Island of Lost Souls-inspired title: Q: Are We Not Men? A: We Are Devo! Read Mark Smotroff’s review of the newly remastered Rhino High Fidelity Series 180g 1LP version of Are We Not Men? to see how well it stacks up against its previous vinyl editions. . .

In the 60 years since its initial release in 1965, A Charlie Brown Christmas has become not only a family tradition, but also something of a musical heirloom that gets passed on through the generations, thanks to its universally appealing TV special and — of course — its gorgeous, perfect soundtrack LP by Vince Guaraldi. As part of its 60th anniversary celebration, A Charlie Brown Christmas just received a wonderful new 200g 45rpm 2LP UHQR update from Analogue Productions, and its aural rewards can easily be enjoyed throughout the year. Read Mark Smotroff’s review to see why the new UHQR edition of A Charlie Brown Christmas is well worth getting now for 365-day enjoyment purposes. . .

Oh, where did the time go. . .? It’s been yet another year of acquiring, archiving, cleaning, spinning, and listening to LP after LP, and box set after box set — and sometimes, even some EPs and 45s got into that mix as well! Naturally, before the big mid-week holiday festivities take over our front-of-mindsets, we here at AP feel it’s the exact right time to determine the best of what we’ve heard on vinyl during the past 12 months — and we’ll be covering our favorites of the year in two installments. Between the two of us — i.e., 1) Mike Mettler, your intrepid AP editor, and 2) chief LP reviewer, Mark Smotroff — we have listened to multiple-hundreds’ worth of albums on vinyl in 2025 apiece, so check out Part 1 to see what our 10-plus favorite archival reissue LPs of the year are. . .