Album Reviews

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Michael Fremer  |  May 01, 2010  |  0 comments

I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.

Michael Fremer  |  May 01, 2010  |  0 comments

Freddie Hubbard’s group leading debut may not have been his finest album but it was a great one and an auspicious debut for the then 22 year old who would go on to play on some of the greatest jazz albums ever, some of which he fronted.

Michael Fremer  |  May 01, 2010  |  0 comments

If you want to know what the early 1960’s felt like, listen to this lushly and dramatically orchestrated Sinatra, bathed in opulent, moonlit reverb and surrounded by cushiony strings spread out on an impossibly huge, wide and deep soundstage.

Michael Fremer  |  May 01, 2010  |  0 comments

This very limited double 45rpm set should have sold out within weeks of its release but that probably didn’t happen.

Michael Fremer  |  May 01, 2010  |  0 comments

Back in the 1940s the legendary concert promoter, record producer and record company head Norman Granz conceived of jazz performances in a classical music style concert setting.

Michael Fremer  |  May 01, 2010  |  0 comments

Fats Waller had been gone twelve years when Louis Armstrong and his All-Stars recorded this tribute album in 1955. Sadly, the notorious overeater died at 39 of a heart attack.

Michael Fremer  |  May 01, 2010  |  0 comments

These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.

Michael Fremer  |  Jun 01, 2010  |  0 comments

Coincidentally (or not?) this more than one year old release came to my attention, and I first played it on the daythe Exile on Main Streetreissue hit record stores. The band has been around for 15 years and has nine albums. I plead appalling ignorance but better late than never.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Making a publicity appearance on the Jimmy Fallon show for the latest reissue of Exile on Main Street, Keith Richards professed a preference for vinyl. The audience applauded. Has an expression of a preference for CD ever gotten such a reaction—at least in the last decade? Not likely.

Michael Fremer  |  Sep 01, 2010  |  0 comments

Elvis’s first post-Army album created a sensation when it was released just one month after he entered Nashville Studio B on March 20th, 1960, two week after his release from the Army. Unfortunately, for Presley and RCA Elvis Is Back!  wasn’t a big seller because it didn’t contain any hits. Presley had been away for two years.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Perhaps had the dulcet-toned baritone Johnny Hartman lived beyond sixty (he passed away from lung cancer in 1983) he might have experienced a resurgence similar to Tony Bennett’s&#151not that Hartman was ever as popular as Bennett.

Michael Fremer  |  Jul 01, 2010  |  1 comments

If you go for Waits’s “Louis Armstrong meets Screamin’ Jay Hawkins meets Captain Beefheart” blues/jazzbo thing, obtaining it live or recorded live is probably as pure as it gets and arguably the best way to consume an artist energized by the crowd’s adulation and an adept touring backup band capable of creating thick, churning atmospherics.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Fifty four year old Thelonious Monk was considered “washed up” by many when this European session was recorded in 1971. He’d ended his association with Columbia Records and while he made some good records for the most commerical label with which he’d be associated, he’d not written much new material during that period.

Michael Fremer  |  Jul 01, 2010  |  0 comments

Here’s one you don’t often see in the bins. Mary Wells auditioned for Berry Gordy when she was 16 and not long afterward had a monster, world-wide hit with “My Guy” back in 1964. It hit #5 in England and The Beatles asked her to tour with them.

Michael Fremer  |  Jul 01, 2010  |  1 comments

Back in “the day,” budget labels like Seraphim (Angel), Cardinal (Vanguard) Victrola (RCA) and Odyssey (Columbia) usually released old recordings at low prices. Many of these were great performances from either mono recordings (sometimes foolishly "reprocessed for stereo") or transferred from 78rpm parts.

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