Michael Fremer

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Michael Fremer  |  Jan 09, 2015  |  First Published: Jan 08, 2015  |  5 comments
The lineage of this cartridge was explained to me over dinner by Lyra cartridge designer Jonathan Carr, but due to Sake the details escape me. As i remember the conversation, the Miyabi's fate was sealed when the designer retired some years ago.

Michael Fremer  |  Aug 23, 2018  |  First Published: Aug 23, 2018  |  17 comments
Sumiko has been shucking these Oyster moving magnet cartridges for many years. They've mostly been entry level products aimed at getting one started in the analog world, placed on a budget turntable and priced accordingly. The least costly $79 Oyster sported a spherical stylus that didn't deliver much in the way of detail but made set up easy and got the job done.

Michael Fremer  |  May 11, 2020  |  First Published: May 11, 2020  |  32 comments
This morning I received an email from Simon Brown designer and manufacturer of the innovative The Wand tonearm and new The Wand turntable telling me that Jelco tonearm's parent company Ichikawa Jewel Co. Ltd had announced it would be shutting down the business.

Michael Fremer  |  Jul 30, 2015  |  24 comments
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

Michael Fremer  |  Nov 01, 2010  |  1 comments

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965—forty five years ago this coming September 12th, which is five days after the re-release of this fascinating and endlessly entertaining 2 DVD set.

Michael Fremer  |  Sep 01, 2003  |  0 comments

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965. While the fourth was almost anti-climactic, the first three rightly retain a mythological status, with an amazing 73 million Americans tuning in for The Beatles’s first appearance. In those pre-VCR, pre-400 cable channels days, The Beatles literally appeared out of nowhere, drove the teenagers in the audience crazy, and then disappeared, leaving the kids gasping for air and wondering whether they’d actually seen their idols, or hallucinated them. There would be no taped playback at home, or excerpts on “Entertainment Weekly.” The Beatles didn’t make “the rounds” and visit other shows, because there really weren’t any. Some still shots in Life or in some teenybopper magazine were the best that could be hoped for.

Michael Fremer  |  Aug 01, 2009  |  0 comments

The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.

Michael Fremer  |  May 09, 2020  |  First Published: May 09, 2020  |  134 comments
Thanks to all who listened and participated (so far) including those who correctly criticized me for having channels reversed on two files. I posted in haste. Also I should not have "normalized" the files and should have instead posted them "as-is" so the only possible variable was the cable. Also the track lengths are now as close to identical as possible.

Michael Fremer  |  Jul 01, 2011  |  1 comments

The late New York Times rock critic Robert Palmer once wrote a Billy Joel review that was so scathing, so mean, so nasty and couched in personal terms, that even I, a fellow Billy Joel detractor (perhaps even a "hater" back then), cringed with embarrassment.

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