Michael Fremer

“Jazz” and “clarinet” usually equals Dixieland in the minds of many jazz fans, which may explain, in part, why jazz clarinetist Jimmy Guiffre, a most imaginative, and free-spirited musician failed to achieve the acclaim he deserved-not that there's anything wrong with Dixieland.

The South African trumpet and flugelhorn player Hugh Masekela first became known to American audiences as a pop star with his 1968 hit “Grazing in the Grass.” He played trumpet on The Byrds' hit “So You Want to Be a Rock and Roll Star,” and among audiophiles, his song “Stimela (Coaltrain),” recorded live, is a sonic standout as well as an inspiring track.

There were good reasons British blues musicians like the original Peter Green led Fleetwood Mac or blues influenced ones like The Rolling Stones wanted to record in Chess's legendary Ter-Mar Studios in Chicago. One, of course, was the possibility of jamming with blues legends like Willie Dixon, Otis Spann, Muddy Waters, Howlin' Wolk and, well, you can run down the names yourself, including “Guitar Buddy,” what Buddy Guy had to be called due to contractual obligations. The other reason is to get that fabulous Ter-Mar Sound, which The Stones managed to do on some of their earlier albums.

Spoon returns with a more stripped down, rhythmic groove-of-a-set compared to the more heavily produced and subtle Kill the Moonlight.