Mike Mettler

When I say footfalls, you say. . .? Yeah, we can’t post that kind of response here — but anyway, how many times have incessant footfalls and other maddening, gear-internal, vibration-incurring incidents interrupted a few too many listening sessions of our favorite LPs? One way to combat those aural irritations is by deploying anti-vibration footers, and noted Polish manufacturer XACT have just introduced their oh-so-perfectly named Immotus series to help with exactly that issue. Read on to see all the features and specs for the XACT Immotus CRX and CL footers. . .

The Wizard has spoken — or rather, Grimm Audio co-founder Peter van Willenswaard has stepped forth to unveil his latest design triumph, the PW1 phono preamp. Read on to see all the specs and features of Grimm’s “Phono Wizard” PW1. . .

The legacy of David Lynch, the inimitable audiovisual pioneer who passed away a week ago on January 15, 2025, at age 78, lives forever on — not only onscreen, but also on vinyl. In an updated historical interview with AP editor Mike Mettler, Lynch discusses the first singles he ever bought, the differences between “objective” and “subjective” science when it comes to album sequencing, and the specific way his hard-of-hearing Twin Peaks character Gordon Cole would want to listen to music. . .

For many of the interesting, innovative, and forward-thinking, progressive-leaning recordings of the past half-century-plus that we live for and love on vinyl, Tony Levin has been both their heartbeat and anchor. Whether it’s with King Crimson, Peter Gabriel, Paula Cole, ABWH, Stick Men, or scores of other artists’ albums that number well into the 500s, Levin’s signature bass tones immediately let you know, “Now, this is going to be a rewarding listening experience.” In a recent Zoom interview with AP editor Mike Mettler, Levin discusses the ongoing wonderment that comes with flipping over LP sides, what his first vinyl recording session was in the 1950s, and the “complicated” decision behind when to sing, or when not to sing. . .