AAA Vinyl

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Michael Fremer  |  Jun 24, 2020  |  16 comments
Billed by his label as a “long lost masterpiece by Neil Young”, referred to by fans as “one of Young’s mysterious, great ‘lost albums’” and described by Young himself as “the one that got away”, Homegrown was recorded mostly between late 1974 and early ’75, with one track from late spring ‘74 and another from late summer of that year.

Michael Fremer  |  Jun 18, 2020  |  14 comments
The Electric Recording Company announced yesterday it was preparing its reissue of Shostakovich's Symphony No.13:Babi Yar with André Previn conducting the LSO/Dimiter Petkov bass, with the London Symphony Chorus.Words by Yevtushenko

Michael Fremer  |  Jun 12, 2020  |  41 comments
The Electric Recording Company (ERC) just announced it is now accepting pre-orders for its limited to 300 copies edition "True Mono" reissue of Love's iconic album Forever Changes. HOWEVER DUE TO A MISCOMMUNICATION, I WAS UNDER THE IMPRESSION THAT IT IS A DISCRETE MONO MIX. IT IS NOT!.

Michael Fremer  |  Jun 11, 2020  |  97 comments
June 11, 2020—Verve Label Group and UMe announced today the July 31st launch of a new “audiophile grade”, all-analog reissue series supervised by Acoustic Sounds CEO Chad Kassem, featuring iconic titles from the Verve, Impulse!, Philips, EmArcy and Decca catalogs.

Michael Fremer  |  Jun 01, 2020  |  34 comments
Last May 11th 2019 guest conductor Bernard Haitink conducted the BPO in his final performance with the orchestra. At the time plans were made to record the performance of Bruckner's 7th symphony "Direct-to-Disc" neither the orchestra nor the conductor knew it would be their last collaboration. Haitink announced his retirement shortly after the concert.

Michael Fremer  |  Mar 30, 2020  |  21 comments
If you're saying Monk's creative juices had begun to dry up by the time he signed with Columbia Records and released this 1963 label debut album you'll get no argument from me. But Monk, all of 46 when this was recorded, had a secret weapon: his rock'n'roll band of the hard-blowing Charlie Rouse on tenor sax, John Ore on bass and Frankie Dunlop on drums.

Michael Fremer  |  Mar 19, 2020  |  4 comments
What better time than now for the all-analog resurrection of this Chesky classic? Easter is three weeks away (though “Oh Great Mystery” is really about Christmas) and home lock down in a dreary time is here now.

Michael Fremer  |  Mar 02, 2020  |  11 comments
Intervention's long delayed release of Joan Armatrading's eponymously titled third album is now set to ship this May. It's now available for pre-order on the Intervention Records website.

Michael Fremer  |  Jan 29, 2020  |  7 comments
Tenor saxophonist Jerome Sabbagh's follow up to The Turn, a duet album with guitarist Greg Tuohey arrived quite some time ago. I've been playing it repeatedly trying to get a grasp.

Michael Fremer  |  Jan 05, 2020  |  10 comments
For every reason, from mastering to pressing to packaging and annotation—and pricing, Craft’s 5 LP Chet Baker Riverside box scores the highest marks.

The recent RSD mono release of It Could Happen to You—Chet Baker Sings signaled what this set might and turned out to be. For those fans who might have some of these albums on original or OJC reissues, you can be sure the audio here soundly beats those.

Michael Fremer  |  Dec 16, 2019  |  19 comments
When first released in America in 1978 Dire Straits’ debut was an immediate sensation, though cautious record labels at first rejected signing the group until Warner Brothers bit. The original Vertigo release hit the U.K. earlier. Eventually, propelled by the catchy single “Sultans of Swing”, the album was Top Ten throughout Europe and much of the world.

Michael Fremer  |  Dec 15, 2019  |  23 comments
Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.

Michael Fremer  |  Dec 04, 2019  |  12 comments
The French Record Company’s first release is a limited to 200 copies edition of a “never before released but should have been” 1958 recording of pianist Marcelle Meyer playing a Debussy program recorded for the Les Discophiles Francais label (DF 211-212).

Michael Fremer  |  Dec 03, 2019  |  21 comments
"What happens in Memphis stays in Memphis"—at least until you get these home (unless you live in Memphis!) might be Craft Recordings' slogan for this all-analog pair of Big Star reissues, probably the first all-analog reissues of these two ignored when first released but now highly regarded early '70s albums since Classic Records released them in 2009 AAA on Clarity vinyl.

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