What better time than now for the all-analog resurrection of this Chesky classic? Easter is three weeks away (though “Oh Great Mystery” is really about Christmas) and home lock down in a dreary time is here now.
Intervention's long delayed release of Joan Armatrading's eponymously titled third album is now set to ship this May. It's now available for pre-order on the Intervention Records website.
Tenor saxophonist Jerome Sabbagh's follow up to The Turn, a duet album with guitarist Greg Tuohey arrived quite some time ago. I've been playing it repeatedly trying to get a grasp.
For every reason, from mastering to pressing to packaging and annotation—and pricing, Craft’s 5 LP Chet Baker Riverside box scores the highest marks.
The recent RSD mono release of It Could Happen to You—Chet Baker Sings signaled what this set might and turned out to be. For those fans who might have some of these albums on original or OJC reissues, you can be sure the audio here soundly beats those.
When first released in America in 1978 Dire Straits’ debut was an immediate sensation, though cautious record labels at first rejected signing the group until Warner Brothers bit. The original Vertigo release hit the U.K. earlier. Eventually, propelled by the catchy single “Sultans of Swing”, the album was Top Ten throughout Europe and much of the world.
Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.
The French Record Company’s first release is a limited to 200 copies edition of a “never before released but should have been” 1958 recording of pianist Marcelle Meyer playing a Debussy program recorded for the Les Discophiles Francais label (DF 211-212).
"What happens in Memphis stays in Memphis"—at least until you get these home (unless you live in Memphis!) might be Craft Recordings' slogan for this all-analog pair of Big Star reissues, probably the first all-analog reissues of these two ignored when first released but now highly regarded early '70s albums since Classic Records released them in 2009 AAA on Clarity vinyl.
Chet Baker was 29 years old when he recorded this album of vocals with occasional trumpet back in the summer of 1958 released today, 61 years later for RSD Black Friday.. He sounds like a kid. Actually you could argue he sounds positively girl-ish, which back then must have driven them pretty crazy—even crazier than did his chiseled, pugilistic face.
I'd be surprised if someone at UMe didn't look at the success of Blue Note's "Tone Poet" series and say to themselves "maybe the way to launch a Motown reissue series is to do it with the highest possible quality" because Motown/ UMe's new 5 LP Motown mono series duplicates in every way Blue Note's "Tone Poet" series: Kevin Gray cut from mono master tapes, RTI plated and pressed on 180g vinyl and the records are packaged in Stoughton tip on jackets.
Intervention's reissue of Gene Clark's classic White Light sold out, but it's currently being re-pressed and the company is taking orders. Don't miss out the second time!
Craft Records just announced three all-analog reissues cut from original tape by Kevin Gray: (Chet Baker Sings) It Could Happen to You, originally released in 1958 on Riverside, Willie Colon's Asalto Navideño a 1971 Christmas album originally released on Fania, and Buffy Sainte-Marie's Illuminations a Vanguard release from 1969 that's achieved "cult" status due to its early use of synthesizers to produce an eerie backdrop.
* (Not now convinced these were cut from tape).The Beatles just announced The Beatles: The Singles Collection, a limited edition, collectible box set containing 23 180-gram vinyl singles cut by Sean Magee from the original mono and stereo singles mix tapes. Between 1962 and 1970 The Beatles released 22 singles. Of the 44 A and B sides, 29 were not included on the group's British albums—singles were usually omitted in Britain, though the released albums contained more tracks than were issued per album in The United States (you probably already knew that!).
Yarlung Records has garnered accolades for its innovative series of 45 rpm records that feature a variety of classical and jazz artists. Expectations are bound to be high for its new LP If You Love For Beauty, featuring the talented mezzo-soprano Sasha Cooke together with t