LATEST ADDITIONS

Andre Marc  |  Feb 29, 2012  |  First Published: Dec 31, 1969

Like Steve Earle, Ryan Adams and other distinctly American artists, Shelby Lynne finds it difficult to settle down musically in one place.

Since releasing I Am Shelby Lynne in 2000, she’s been a moving target for her fans and critics alike. Though she won a “Best New Artist” Grammy® Award for that album, in fact, it was her sixth record! Go figure.

Andre Marc  |  Feb 22, 2012  |  First Published: Dec 31, 1969

The Los Angeles based band Dengue Fever played to a packed house near downtown San Diego, on a beautiful night in late January. For those not familiar with this unique outfit, they are comprised of a group of American musicians with xenophile and psychedelic tendencies fronted by Chhom Nimol, an exotic female vocalist from Cambodia. Michael Fremer reviewed their latest CD, Cannibal Courtship, here http://musicangle.com/album.php?id=1015. Sound funky? It is, in the most delicious way.

Michael Fremer  |  Feb 07, 2012  |  First Published: Dec 31, 1969
Michael Fremer  |  Feb 02, 2012  |  First Published: Dec 31, 1969
Michael Fremer  |  Feb 02, 2012  |  First Published: Dec 31, 1969
Michael Fremer  |  Feb 01, 2012

A funny thing happens as you age: time compresses. When I was 20, music from the 1940s seemed old. Robert Johnson was positively pre-historic, and to my ears the sound was equally cobwebbed. Oh, like everyone else, I bought CL 1654 after seeing it on the cover of Bringing It All Back Home and reading one of the breathless cover dissections in a magazine. Back then every cover prop "meant" something. 

Michael Fremer  |  Feb 01, 2012

"My girlfriend loves everything at the beach except the sand, the surf and the sun."  That lyric pretty much sums up the playful, sensous, and dangerous kitsch-world of this exotic six person  L.A. group fronted by the black widow spider persona of the sexy Cambodian pop chantreuse Chhom Nimol whose fixation with '60s Cambodian pop fuels the music. 

Michael Fremer  |  Feb 01, 2012

Let's divide the world into two groups: one that says "Gene who?" and the other that recognizes the late Gene Clark as one of the greats from the rock era. That's my side of the divide.

Michael Fremer  |  Feb 01, 2012

Cleaned up, hair cut, even shown bowling in the gatefold photo layout, James Taylor, many felt at the time, had clearly sold out to corporate America by signing with Columbia Records. By 1977 his long hair, hippie days were over and so were ours, but many diehards resented the slick shift and were appalled by the whole thing, starting with the cover photo.  

Michael Fremer  |  Feb 01, 2012

Note: the review below was written and posted before we received a technical note that was supposed to have been included in the review LP. The note from Reference Vice President Marcia Martin says there were both analog and digital masters of this production. When the analog tape is still in good condition it will be used as the source for these new Reference Mastercut LPs. In this case and for From the Age of Swing the analog tapes were transferred to 176.4kHz/24 bit digital and the file was used to cut the lacquer. This is safer, Ms. Martin says, when dealing with older tapes.

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