LATEST ADDITIONS

The vinyl gods have indeed given us strength with the announcement that The Songs of Bacharach & Costello, a comprehensive collection of the creatively fruitful, decades-long aural collaborations between Elvis Costello and Burt Bacharach, is set for release as a wide-ranging 4CD/2LP super deluxe box set from UMe on March 3. Additionally, a separate 140g 2LP edition comprised of the 2023 original-tape remasters of September 1998’s Painted From Memory and six bonus selections from their unreleased Taken From Life musical will be released concurrently. Read on to find out what each version entails, and whether you should plan to get either or both of them for your listening pleasures. . .

Never one to sit idle, even after a debilitating physical injury he sustained in late 1971, Frank Zappa pushed onward to make some of the most creative music of his entire career. The resultant two albums — July 1972’s Waka/Jawaka (official Zappa album No. 15) and November 1972’s The Grand Wazoo (official Zappa album No. 16) — are two sides of a coin now duly feted in a pair of new, 50th anniversary 180g 1LP editions sporting all-analog mastering by Bernie Grundman. Read Mark Smotroff’s review to find out why you need to get your hands, and ears, on both LPs. . .

What better way to kick off the first week of 2023 than to think about getting a new turntable? That’s where EAT and C-Dur come into the picture. To wit: The C-Dur turntable by EAT — the acronym for noted Austrian manufacturer European Audio Team — is here, and it’s being distributed in North America by VANA, the distributor that recently brought noted German handmade Rekkord turntables to our shores. Read on to find out more about how you too can EAT well with this finely crafted platter-player, if you so choose. . .

The longevity of Blondie is proof of the triumph of substance over image. The new-wave icons made quite a name for themselves when they emerged as the platinum-blonde darlings of the New York scene in the 1970s, unabashedly buttressed by the can’t-look-away visual iconography of lead vocalist/songwriter Debbie Harry — but they also had a special knack for transmogrifying the aesthetics of punk, the tenets of bubblegum pop, and their own deep-seated performance chops into something new. The first phase of Blondie’s career is now properly feted in Against the Odds 1974-1982, a massive 10LP/1EP/1 7-inch 45 Super Deluxe Collector’s Edition box set. Blondie drummer Clem Burke got on the line with AP editor Mike Mettler to discuss how the box set came together and why it acts as a “muse” for the band today, how the 7/4 shift in the back half of “Heart of Glass” gave an extra dimension to such an indelible No. 1 song, and how important producers Richard Gottehrer and Mike Chapman were in capturing the Blondie sound in the studio — and, of course, much, much more. . .