This fourth Beatles album didn't exist in America because it didn't contain any hit singles. In England, hits were singles, sometimes issued as four song E.P.s. In America hits were the bait to get teens to buy albums, but in England you got fourteen songs for your money. In America you got twelve but you got the hits.
As expected, Rubber Soul, sourced from George Martin's 1987 16 bit, 44.1k remix sounds like a CD. Why should it sound like anything else? That's from what it was essentially mastered.
If you're looking for a quick and easy answer to the question "How good is The Beatles box set?" you've come to the wrong place. Each album deserves to be evaluated individually and that's what I intend to do, though the lesser ones (if there is such a thing among Beatles albums) will get less attention.
I spoke today with Sean Magee about the just released Beatles LP box set. Magee's resume is impressive. He's cut both lacquers and DMM and does a great deal of AAA cutting for Pure Pleasure among other labels.
My apologies to Gavin Lurrsen, who did respond immediately to my email via email. Unfortunately his email got trapped in the overaggressive corporate spam filter.
When we think of "field recordings" we often think of Alan Lomax trudging through the South with a tape recorder, setting up shop wherever he found the music.
Recorded late 1971 during a multi-night gig at New York City's Academy of Music and released the next summer, Rock of Ages was intended to be a celebratory send-off for one of the greatest bands of that era as it contemplated a long touring and recording break that went on for far longer than expected.
In the recent news item about a replacement for the no longer manufactured Per Madsen Rackit record storage racks, we wondered whether they were of equal quality. So when Tribute Rack manufacturer Jef Fowler of Portland, OR's Two Can HiFi emailed and offered to send a review sample, I refused.