A Useful Overhang Gauge With Some "Ifs" Attached

Someone on one of the Facebook turntable groups asked what "overhang" was. None of the answers that I read properly defined it, (though a few talked about the head shell slots being involved) and I've forbidden myself from ever again participating on any of those groups after being called a "liar and a bullshit artist" in response to one innocent comment I made and "an industry puppet" following another.

Out of the Cool  is a Verve/Acoustic Sounds Series "Must Have"

"La Nevada" means "snowfall" but the opening track of this Gil Evans classic begins as a musical desert mirage of a distant train that approaches slowly, with you sitting on the tracks directly in its path. As the train gets closer (and louder) the repeated simple four bar riff grows in intensity adding growling, snarling brass and reeds drivers by Ron Carter's and Elvin Jones's insistent yet slinky rhythmic drive.
Primary Category: 
Artist: 
The Gil Evans Orchestra
Album: 
Out of the Cool
Cred Label: 
Impulse!/Acoustic Sounds B003321101 180g AAA LP
Cred Prod: 
Creed Taylor
Cred Eng: 
Rudy Van Gelder?
Cred Mix: 
Rudy Van Gelder?
Cred Mast: 
Ryan K. Smith at Sterling Sound, Nashville
"La Nevada" means "snowfall" but the opening track of this Gil Evans classic begins as a musical desert mirage of a distant train that approaches slowly, with you sitting on the tracks directly in its path. As the train gets closer (and louder) the repeated simple four bar riff grows in intensity adding growling, snarling brass and reeds drivers by Ron Carter's and Elvin Jones's insistent yet slinky rhythmic drive. Aside from the trombone section's part being notated, the performance is improvised, a highlight being Ray Crawford's guitar searing the left channel behind which trombone locomotive horns warn you to get out of the way, but by then it's too late and the music runs you over!

Pro-Ject The Beatles SGT. Pepper Essential III, Special Edition Turntable Sweepstakes

Register to win a Pro-Ject The Beatles SGT. Pepper Essential III, Special Edition Turntable (value $500.00) we are giving away.

According to the company:

"Pro-Ject is celebrating the 54th anniversary of a Beatles' landmark with our "Sgt. Pepper's Lonely Hearts Club Band"-inspired Essential III turntable. This high-performance table is based on one of our most popular models and features variable 33/45 RPM speeds. It's also one of the most striking pieces in our entire collection. We're excited to be collaborating with our friends at Stereophile and Analog Planet to offer readers a chance to own this historic piece."

[This Sweepstakes is now closed.]

Pick Me Up Off the Floor and ...'Til We Meet Again—A Norah Jones "Twofer" Review

I meant to review this album of Norah Jones "extras" that she released last year but it kind of slipped through the cracks. It plays like a carefully thought out thematic song cycle but it isn't. Instead it's a set of "leftovers" from a series of collaborative efforts, many of which were released as singles. You might even think it's a personal "break-up" album, particularly given the album title, but it's not that either.

Primary Category: 
Category: 
Artist: 
Norah Jones
Album: 
<i>Pick Me Up Off the Floor</i> and <i>...'Til We Meet Again</i>
Cred Label: 
Blue Note B00317981 LP/ /B003344101 2 LPs
Cred Prod: 
Norah Jones/ NJ & Jamie Landry
Cred Eng: 
Andy Taub, Tom Schick, others/Jamie Landry
Cred Mix: 
Jamie Landry/Jamie Landry
Cred Mast: 
Greg Calbi (lacquers cut by Ryan K. Smith)/Steve Fallone (lacquers cut by Joe Nino-Hernes
I meant to review this album of Norah Jones "extras" that she released last year but it kind of slipped through the cracks. It plays like a carefully thought out thematic song cycle but it isn't. Instead it's a set of "leftovers" from a series of collaborative efforts, many of which were released as singles. You might even think it's a personal "break-up" album, particularly given the album title, but it's not that either.

Ashley Kahn Moderates A Live Kind of Blue Discussion With Ron Carter and Others Wednesday 4PM ET

Ashley Kahn author of the definitive "Kind of Blue" book moderates a live panel discussion with Ron Carter, Christian Scott, aTunde Adjuah, Vince Wilburn, Jr. and Chad Kassem Wednesday, May 26th 4PM, ET (ignore the time on the image).

Graham Nash Weighs In on Déjà vu 51 Years On

Fifty one later Déjà vu still delivers a powerful musical, lyrical and sonic jolt, especially on this newly remastered 50th anniversary set that includes the original record on 180g vinyl mastered by Chris Bellman, cut using the original master tape.

Primary Category: 
Artist: 
Crosby, Stills, Nash & Young
Album: 
Déjà vu
Cred Label: 
Rhino/Atlantic R2 625238/6033497848027 180g LP+4 CDs
Cred Prod: 
CSN&Y (original producers), Patrick Milligan & Joel Bernstein Boxed Set Producers
Cred Eng: 
Bill Halverson and Russ Gary, assisted by Stephen Barncard
Cred Mix: 
Bill Halverson and CSN&Y (outtakes and demos mixed by various)
Cred Mast: 
Chris Bellman at Bernie Grundman Mastering
Fifty one later Déjà vu still delivers a powerful musical, lyrical and sonic jolt, especially on this newly remastered 50th anniversary set that includes the original record on 180g vinyl mastered by Chris Bellman, cut using the original master tape.

The Best Ever Kind of Blue?

Is it possible to now write anything that hasn’t already been written or said about this record? I haven’t any fresh insights to offer that might advance what you probably already know. A good Kind of Blue pressing puts you in the 30th Street studio to hear the performance. Ashley Kahn’s “Kind of Blue” book sets the pre-recording stage, offering both musical and technical details and puts you as much in the control room as in front of the band.

Primary Category: 
Artist: 
Miles Davis
Album: 
Kind of Blue
Cred Label: 
Columbia/Analogue Productions UHQR004 200g Clarity Vinyl UHQR
Cred Prod: 
Irving Townsend
Cred Eng: 
Fred Plaut
Cred Mix: 
Fred Plaut
Cred Mast: 
Bernie Grundman at Bernie Grundman Mastering
Is it possible to now write anything that hasn’t already been written or said about this record? I haven’t any fresh insights to offer that might advance what you probably already know. A good Kind of Blue pressing puts you in the 30th Street studio to hear the performance. Ashley Kahn’s “Kind of Blue” book sets the pre-recording stage, offering both musical and technical details and puts you as much in the control room as in front of the band.

Craft Recordings Puts A Shine On Travis’s Good Feeling

September 26th, 1997 marks the release date of Travis’s debut effort Good Feeling. It’s also the day the group didn’t take the world by storm.

Primary Category: 
Category: 
Artist: 
Travis
Album: 
Good Feeling
Cred Label: 
Craft/Concord Records CR00304 LP
Cred Prod: 
Steve Lillywhite
Cred Eng: 
John Siket, Paul Marconi (assistant), Tim Pettit (assistant), Gustavo Moratorio (assistant)
Cred Mix: 
Steve Lillywhite, Mark Wallis
Cred Mast: 
Ted Jensen at Sterling Sound, lacquers cut by Mike Hillier at Metropolis Studios
September 26th, 1997 marks the release date of Travis’s debut effort Good Feeling. It’s also the day the group didn’t take the world by storm.

The Right Rite?

In May of 1913, just one year before the start of the first World War, Igor Stravinsky premiered his third ballet with the Ballets Russes in Paris: Le Sacre du printemps (The Rite of Spring). The premiere would go down in history for a number of reasons, primarily due to the unruly Parisian audience that descended into what could be referred to as a riot. What was so scandalous about the Rite? Stravinsky, along with choreographer Vaslav Nijinsky, wanted to evoke a picture of Russia from the distant, pagan past.
Primary Category: 
Artist: 
Eugene A. Goossens Conducting The London Symphony Orchestra
Album: 
The Rite of Spring
Cred Label: 
Everest/Classic Records AEVC 3047-45 (2 200g LPs 3-sided program)
Cred Prod: 
Bert Whyte
Cred Eng: 
Bert Whyte
Cred Mix: 
Bert Whyte
Cred Mast: 
Bernie Grundman at Bernie Grundman Mastering
In May of 1913, just one year before the start of the first World War, Igor Stravinsky premiered his third ballet with the Ballets Russes in Paris: Le Sacre du printemps (The Rite of Spring). The premiere would go down in history for a number of reasons, primarily due to the unruly Parisian audience that descended into what could be referred to as a riot. What was so scandalous about the Rite? Stravinsky, along with choreographer Vaslav Nijinsky, wanted to evoke a picture of Russia from the distant, pagan past. A story of an ancient pagan rite where a young maiden would be chosen to dance herself to death to appease the ancestors and secure a bountiful harvest. The music, while stylistically not a huge departure from Stravinsky’s two previous and successful Parisian ballets, was dissonant, brutal, and rhythmically disorienting. Likewise, Nijinsky’s choreography was rigid, and was meant to mimic the flat, two-dimensional style of prehistoric paintings. The audience that night was not having it, but their uproar helped launch the Rite into infamy, helping it to become one of the most talked about and often performed works of the 20th century.

"Live From Van Gelder Studio" Second Show Featuring Joey DeFrancesco & All-Star Band May 15-16!

Legendary Englewood Cliffs, NJ Van Gelder Studio, the famed recording venue in which hundreds of the greatest jazz records ever were produced is the site for this recently announced second "Live from Van Gelder Studios" virtual music concert, happening on May 15th at 9PM EDT, with live re-streams on May 16th at 8PM JST for Asian markets and 8PM CEST for European markets.

Pages

X