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Michael Fremer  |  Oct 29, 2017
Friday night at this year's Blues Masters at the Crossroads in Chad Kassem's Blue Heaven Studios featured emcee and blues veteran Doug MacLeod and an outstanding talent lineup: Jontavious Willis, Marquise Knox, Lucky Peterson, Alabama Slim and Robert Finley.

Malachi Lui  |  Jan 07, 2020
I honestly suck at keeping up on new music. Sure, I’m shoving out another mostly negative Review Explosion every three weeks when some artist past their prime pushes out another hour of dreck (or when Earl releases a stupidly annoying, half-baked 15 minute “album”) but I still don’t feel that I spend enough time covering what actually matters. As in, what’s actually good and worth talking about. Unfortunately, one music critic with their own taste and near-daily spins of IGOR can only do so much; no matter how hard I work, there are always a dozen supposedly great albums that I’ve fallen behind on even hearing.

Caleb Attaway  |  Jul 16, 2019
Meet our newest reviewer, 17 year old Caleb Attaway. Caleb lives northwest of Atlanta, Georgia and is going into his senior year of high school at Living Science Home Studies, Inc., which is half home school and half private school. In the future Caleb will review records and new audio gear.

Michael Fremer  |  Oct 31, 2018
79 year old Beverly "Guitar" Watkins, unknown to most in the audience, puts on a fiery, funky and fierce standing ovation hour-long performance on the first night of Chad Kassem's "Blues at the Crossroads" Blues Festival Friday October 26th.

Mike Mettler  |  Aug 19, 2024

Every year, EISA, the Expert Imaging and Sound Association, gives out Hi-Fi awards for the very best gear on the market in a wide range of product categories, as voted upon by their Expert Group members. Read on to see what analog-centric gear garnered EISA 2024-2025 awards, and why. . .

Michael Fremer  |  Jul 31, 2004

There was a great deal of excitement a few months ago when Toshiba-EMI announced a new series of Beatles albums. The 1970’s EAS series from the label are considered by most collectors to be among the best sounding Beatles albums issued anywhere, but a ‘90’s series issued by the label, and cut from digital masters was expensive and sounded brittle and uninviting, though as usual, the packaging was sumptuous and the pressing quality was pristine.

Michael Fremer  |  Dec 31, 2010

How bad were the original Beatles CDs issued back in 1987? So bad that even the clueless conditioned to believe that CDs represented an automatic sonic step up from vinyl noticed something was terribly wrong.

Amusing to some observers was the nature of the complaints: “they sound tinny,” “they sound flat,” “they sound thin and bright,” “they’re harsh and edgy,” “where’s the warmth?” etc.

Michael Fremer  |  Jan 06, 2022
Dry dusting records before play is critical for both stylus and record longevity. New records come out of the jacket dusty because they are pressed in relatively dusty environments and in some cases spend a great deal of time stacked on spindles before being packed.

John Nork  |  Oct 01, 2004
It was January 20, 1965. The "British Invasion" was at its apex. Led by The Beatles, English rock bands dominated the American airwaves. Meanwhile, with little fanfare, a newly formed aggregation called The Byrds was working ardently on their first (and possibly last) single for Columbia Records. As was standard record company practice back then, the Byrds' contract called for one single. If it was successful, an entire album would be commissioned. Otherwise it would be bye-bye Byrdies.
John Nork  |  Oct 01, 2004

Roger McGuinn. McGuinn co-founded the group with Gene Clark and was its nominal leader. If you disassemble the complex tapestry of the Byrds' sound into its molecular underpinnings, McGuinn's distinctive voice and unique twelve-string Rickenbacker guitar are the nucleus. Lead guitarist McGuinn's unique style simultaneously employs a flat pick and fingerpicking patterns, drawing

more from five-string banjo rolls than typical guitar scales. When this unusual picking pattern is done on an electric twelve-string Rickenbacker guitar, the resulting sound is a brilliant cascade of harmonic intervals and gleaming overtones. McGuinn also sang lead on many of the group's songs, including all of their Dylan interpretations.

Matthew Greenwald  |  Apr 30, 2010

MG: Jumping back into some old groups that you recorded, Brazil 66....

BB: I really loved that time. That was for Herb Alpert, who was the producer. I prefer Brazil 66, the first album, over Equinox, sonically, because that was another case where it was done on four-track, tube all the way. Also the fact that it was all new to us and it was a big sound, I really liked it.

MG: Was that done at Gold Star Studios?

Michael Fremer  |  Dec 31, 2006

(This piece, originally written in 1988, runs with a few updates)

Maddy Matlock and the Paducah Patrol, Warren Barker, The Vestry Choir, Raoul Meynard and Orchestra, Clint Walker and the Sunflower Serenaders, Gus Farney at the Giant Wurlitzer- these are just a few of the exciting musical acts that helped Warner Brothers Records lose a whopping $3 million a year between 1958 and 1962- its first four years in existence.

Not a great start. In fact the parent company, Warner Brothers films almost shut the doors, but didn’t, according to Fredrick Dannen in his excellent and often hilarious book “Hit Men,” out of fear that it wouldn’t collect money owed by slow paying independent record distributors.

Michael Fremer  |  May 19, 2020
Well, here we go. More than 125 people have participated in the It’s Just Wire “blind test”, so thank you all. Certainly, we’ve dispelled the ridiculous notion that “wire is wire” and that all wire sounds the same. Which one might prefer is of course a personal preference. That we’d need blind A/B/X testing to “prove” that any sonic differences exist is absurd.

Mike Mettler  |  Jan 03, 2024

The Gruvy Awards are back yet again! An annual event, The Gruvys are given to the best products AnalogPlanet reviewed in the most recent calendar year. This time around, the Gruvys honor the gear we tested in 2023 and subsequently found to possess a combination of high build quality, exceptional sonics, and in the case of less expensive gear, provide great value for the money. Read on to see what products made the 2023 AP Gruvy Awards cut. . .

Mike Mettler  |  Dec 23, 2024

The Gruvy Awards are back yet again! An annual event, The Gruvys are given to the best products AnalogPlanet reviewed in the most recent calendar year. This time around, the Gruvys honor the gear we tested in 2024 and subsequently found to possess a combination of high build quality, exceptional sonics, and in the case of less expensive gear, provide great value for the money. Read on to see what products made the 2024 AP Gruvy Awards cut, plus which ones gained Honorable Mentions. . .

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