Album Reviews

Sort By: Post DateTitle Publish Date
Michael Fremer  |  Jul 01, 2010  |  0 comments

With the rhythm section of McCoy Tyner, Elvin Jones and Sonny Rollins’ bassist of choice Bob Cranshaw behind him, the long underappreciated Grant Green’s take on Rodgers and Hammerstein’s “My Favorite Things” superficially sounds like a transcript lifted from Coltrane’s 1961 Atlantic album of the same name from a few years earlier. It’s even taken in the same 6/8 time.

Michael Fremer  |  Aug 01, 2007  |  0 comments

A collection of mostly 17th and 18th century music, much of which was written to alleviate a form of madness caused by a Tarantula bite might not sound like an enticing concept, but it is!

Mike McGill  |  May 02, 2006  |  0 comments

Well, is the uber-buzz justified? Fastest-selling debut album; Greatest band since the Beatles, number 287 in a series (collect ‘em all)?

Michael Fremer  |  Jul 01, 2004  |  0 comments

One might argue there have been enough Krauss vinyl reissues, what with two outstanding ones from Diverse Records, but give this two LP set a spin and end of argument-even if you have those two superb sounding sets.

Nick Katsafanas  |  Jan 01, 2009  |  0 comments

In his first commercial release since 2005�s folk-laden Hotel ; Moby brings the eclectic Last Night . The album could be considered Moby�s return to the high-tempo dance music, which brought about his late 1990s fame. Whereas Hotel explored the synergy (and sometimes lack of) between guitar-strumming light rock and bass heavy electronica, Last Night is pure dance. Moby does not lend his voice to the double album�s 14 songs, but his cast of vocalists highlights his arranging skills.

Mark Schlack  |  Jul 01, 2009  |  0 comments

This is not your typical Blue Note album. Sure, Oscar Pettiford and Ed Thigpen swing impeccably on bass and drums, but fronting baritone sax, trombone and guitar? Sounds more like a description of an oompah band than jazz, but honest, jazz it is.

Michael Fremer  |  Apr 12, 2016  |  2 comments
Anthony Wilson, best known as a jazz guitarist, has released an organic, occasionally “noir-ish”, sounding album on which he sets up and sings within cinematic musical landscapes, proving himself to be an equally compelling story teller. "Frogtown" is an area of Los Angeles, whose official name is "Elysian Valley". People live there but other than a lush stretch of the L.A. riverbed, there's not much there, which is how the people like it. The same can't be said of this record, which will have you wondering from where came this Anthony Wilson?

Michael Fremer  |  Feb 11, 2019  |  23 comments
One of the Anthony Wilson-shot photographs in the coffee table quality photobook housed within Songs and Photographs’s handsome, textured paper slipcase— along with the jacketed 180 gram LP (Goat Hill Recordings GHR-005)—is of a church’s red brick back wall, in front of which are three gravestones. The late afternoon sun casts against the wall three long offset shadows.

Michael Fremer  |  Dec 01, 2011  |  2 comments

Elton John's second album was his first in America and it immediately established him as both a major talent and a star, even if it took a few more albums for him to achieve superstar status.  Empty Sky the first album issued in the UK showed the talent but it was only a showcase.

Mark Smotroff  |  Jun 23, 2023  |  2 comments

For the first time in many decades, XTC’s October 1978 sophomore album Go 2 is available again on vinyl, this time as a limited-edition 200g 2LP set via Ape House that includes the ever-elusive companion Go+ EP of dub remixes on its own disc. Read Mark Smotroff’s review to see why this new, expanded edition of Go 2 is worth both the time and listening investment. . .

Malachi Lui  |  May 31, 2022  |  15 comments
Between the excessive sprawl of 2013's James Murphy-produced Reflektor and the failed experimentation of 2017's punchable Everything Now, it might seem as if Arcade Fire spent the last decade actively trying to lose people's interest. Now, however, they're back; at least, that's what their Nigel Godrich-produced new LP WE wants you to think. Split into more introspective "I" (A) and outward-facing "WE" (B) sides, WE is a concise 40-minute summation of the band's previous work. Every Arcade Fire record finds them striving for epic heights and always falling short, though you can't say they're not trying really hard.
Michael Fremer  |  Apr 23, 2019  |  12 comments
It seems appropriate to review Rhino’s sumptuous 4 LP set Aretha Franklin’s Amazing Grace The Complete Recordings, her enduring gospel album recorded in a Los Angeles church and released in June of 1972 on Atlantic Records, two days after Kanye West’s Easter morning “gospel service” at the Coachella Valley Music and Arts Festival before 50,000 fans.

Mark Schlack  |  Aug 01, 2010  |  0 comments
Aretha Franklin’s escape from the squares at Columbia Records to become the Queen of Soul on groovy Atlantic is one of the great legends of popular music.

Think about it: Aretha Franklin, John Hammond and Jerry Wexler —three giants of music— all converge in one story. But do the facts support the legend? This album certainly gives pause.

Mark Dawes  |  Feb 19, 2021  |  4 comments
Spoken word or sung poetry? There’s plenty of both in the British Isles: the rolling, sprawling narratives of Kai Tempest; the angular Sinead O’Brien, smiling in Irish; the arch delivery of Dry Cleaning; the startling machine-gun rapping of Little Simz; a new collection on Decca by Cerys Mathews, the first in a series of “poem song” albums, pairing poets with musicians from Hidden Orchestra. From the defiant 70’s reggae of Linton Kwesi Johnson, to the many decades of the late Mark E. Smith, to the current dystopian punk barrage of Sleaford Mods, the British Isles has an abundance of musical poetry on record, joined now by Londoner Arlo Parks.

Michael Fremer  |  Jan 03, 2022  |  52 comments
The Blakey was cut from 96/24 files according to Chris Bellman at BG Mastering for the surmised reason: the songs were on multiple tapes and the most expeditious way to produce cutting masters was to first digitize. The annotation wasn't clear but I don't think anyone was "trying to pull a fast one"._MF). It was Beatlemania when Art Blakey and the Jazz Messengers landed at Haneda Airport, New Year’s Day, 1961. Of course, The Beatles hadn’t yet happened, but neither had Blakey and his group ever been greeted in America with the rousing enthusiasm they encountered both upon landing and during the series of shows in which they performed in Japan that month.

Pages

X