Album Reviews

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Michael Fremer  |  Jun 04, 2014  |  9 comments
With most artists, by the time you get to the third greatest hits album you're scraping the bottom of the barrel but not with Elvis Presley. In fact, it could easily be argued that Volume 3 was the "sweet spot" among the original RCA Elvis's greatest hits releases. It's also the first from Elvis's stereo era.

Michael Fremer  |  Nov 21, 2015  |  16 comments
"Jenny Sings Lenny" as Mr. Cohen playfully referenced this album in a cartoon included in the original release's liner notes but for some reason omitted here, both technically and musically has never sounded better.

Michael Fremer  |  Oct 09, 2020  |  30 comments
Another murder most foul to revisit. Where were you on December 8th 1980 when the terrible news broke that John Lennon had been assassinated? A girlfriend and I were having dinner with Chuck and Nancy (not Schumer and Pelosi) and with Arnold and Maria (yes, Schwarzenegger and Shriver).

Michael Fremer  |  May 10, 2012  |  20 comments

Twenty five years later, it’s easy to forget that Graceland, the album many consider to be Paul Simon’s finest musical achievement, was mired in controversy because of the continuing disgraceland that was apartheid South Africa. Nelson Mandela was still jailed and protests erupted on college campuses and in the halls of government around the world.

Michael Fremer, Malachi Lui  |  Aug 29, 2021  |  7 comments
This July, Billie Eilish released her highly anticipated second LP, Happier Than Ever. After some contention as to who would review this release, AnalogPlanet editor Michael Fremer and contributing editor Malachi Lui agreed to both comment on it. Below is their conversation about the record.

Michael Fremer  |  Jul 01, 2014  |  38 comments
Dylan's previous album Bringing It All Back Home arguably contains the first rap song ("Subterranean Homesick Blues") and is associated with the first rock video—the one where he holds up those cue cards with some of the lyrics—but this album made Dylan a rock star. The cover photo remains iconic and enigmatic: Dylan as The Mona Lisa?

Ty Webb  |  Sep 22, 2019  |  6 comments
Yarlung Records has garnered accolades for its innovative series of 45 rpm records that feature a variety of classical and jazz artists. Expectations are bound to be high for its new LP If You Love For Beauty, featuring the talented mezzo-soprano Sasha Cooke together with t
Malachi Lui  |  Oct 11, 2019  |  5 comments
As I approached the check-out counter at Music Millennium with a standard black vinyl copy of IGOR, I told the cashier about my endless obsession with this album. “Don’t get too obsessed with these things,” he said.

“I’m afraid it’s too late,” I replied.

Malachi Lui  |  Jun 24, 2019  |  21 comments
Hours before its release, Tyler, the Creator tweeted a set of listening instructions to anxious fans about to hear his new magnum opus IGOR. “This is not Bastard. This is not Goblin. This is not Wolf. This is not Cherry Bomb. This is not Flower Boy. This is IGOR. Pronounced eee-gore. Don’t go into this expecting a rap album. Don’t go into this expecting any album. Just go, jump into it. I believe the first listen works best all the way through, no skips. Front to back. No distractions either.”

Michael Fremer  |  Nov 29, 2019  |  3 comments
Chet Baker was 29 years old when he recorded this album of vocals with occasional trumpet back in the summer of 1958 released today, 61 years later for RSD Black Friday.. He sounds like a kid. Actually you could argue he sounds positively girl-ish, which back then must have driven them pretty crazy—even crazier than did his chiseled, pugilistic face.

Michael Fremer  |  Oct 05, 2021  |  21 comments
Everything is true that you might have heard or read about this “off the beaten Tone Poet path” release.

Nicholas Coleman  |  Mar 20, 2022  |  6 comments
Radiohead has re-released two of its most experimental and critically acclaimed albums, Kid A and Amnesiac remastered at half speed from the original digital files for phenomenal fidelity, in a set that includes another record of previously unreleased material from those sessions. The transfer conveys a slightly new listening experience for fans, and unique aspects are brought out in the music, making it feel like listening to an old friend for the first time.

Michael Fremer  |  Jul 10, 2014  |  32 comments
“Bloated Blimp”. That’s what I called the band after hearing this album for the first time. I also thought the Hindenburg disaster album cover in bad taste. But then I was in law school in 1969 and trying the straight and narrow after “widening” (not around the waist) in college.

Michael Fremer  |  Sep 03, 2019  |  16 comments
This is the 45rpm version of IMPEX's 2017 33 1/3 all-analog reissue of Michel Legrand's somewhat overlooked musical and sonic treasure featuring many of the greatest jazz artists of the era. Nothing other than Legrand's passing has changed since the original reissue review, so I'm just repeating it, other than to add that it sounds even "Legrander" at 45rpm, though if you already own IMPEX's 33 1/3 version, it's not really necessary to buy it again, unless you must! An enticement might be the now glossy laminated jacket and gatefold booklet with a very useful and informed essay by KCRW's Tom Schnabel.

Michael Fremer  |  Sep 03, 2020  |  11 comments
This agreeable set of standards sung by Louis Armstrong backed by the Oscar Peterson Quartet, then consisting of Herb Ellis, Ray Brown and Louis Bellson recorded at the then new Capitol Studios, L.A. in 1957 but not released in stereo until 1959, was a follow-up of sorts to the highly successful Norman Granz-produced Ella & Louis (Verve MGV-4003) recorded August of 1956.

Like this set, there Armstrong and Fitzgerald were backed by the Oscar Peterson Quartet, but with Buddy Rich drumming instead of Louis Bellson.

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