Album Reviews

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Michael Fremer  |  Jan 01, 2005  |  1 comments

This 1978 set, featuring cornetist/arranger Bill Berry, backed by some of L.A.'s top jazz musicians, offers a time capsule into a not too distant past when both Pablo and Concord Records documented a still vital recording and gigging Southern California jazz scene that I'm not sure still exists. Players include many familiar jazz veterans such as Lew Tabackin (tenor sax/flutes), Bill Watrous (trombone), Dave Frishberg (piano), Monty Budwig (bass), and Frankie Capp (drums).

Michael Fremer  |  Aug 01, 2003  |  1 comments

The monophonic master tape of this 1958 Prestige session recorded at Rudy Van Gelder’s Hackensack home studio has probably had more tape head contact over the past few years than it had for the first 30 plus years of its life. Along with this 2 LP set and SACD, there’s a 180g Acoustic Sounds LP still in print, there was a 1998 JVC XRCD reissue, a 1993 DCC Compact Classics gold CD, a standard CD, a 20 bit mastered edition, a Japanese 20 bit “LP sleeve” edition and probably a few others as well. Do a search on Amazon.com and you’ll find a confusing jumble of Soultrane editions priced from $6.49 to $49.00 (the out of print DCC Compact Classics gold CD), none of which are identified in adequate detail. As you’d expect, www.acousticsounds does a better job of identifying this recording’s many iterations.

Michael Fremer  |  Aug 26, 2015  |  44 comments
Thanks to an analogplanet.com reader I got a copy to review of the two LP deluxe edition of Sticky Fingers (Rolling Stones Records 376-484-4).

Michael Fremer  |  Mar 23, 2014  |  24 comments
Last Record Store Day Sony/Legacy reissued three Paul Simon albums: his eponymous solo debut (not counting 1965's U.K.-issued Paul Simon Songbook), There Goes Rhymin' Simon and this record. While all three are musically fine, if you're thinking of buying just one, my vote goes for this one.

Michael Fremer  |  Nov 30, 2021  |  4 comments
The always defiant, sometimes bitter and often angry Charles Mingus had a habit of declaring more than a few of his records as his best, including this one. He might be correct about The Black Saint And The Sinner Lady recorded January, 1963, though Tijuana Moods and several others are definitely in the running.

Michael Fremer  |  Jan 28, 2015  |  20 comments
You could produce a jazz record today using ProTools at 192/24 or lower resolution, create a CD master, have it manufactured and then release it. To get in on the “vinyl resurgence”, you could use that 16 bit/44.1k master to cut lacquers and press records at a commercial pressing plant. It’s done all too often, I’m sure.

Michael Fremer  |  Jun 29, 2015  |  23 comments
Jerome Sabbagh's The Turn puts his long-running jazz quartet in New York's famed Sear Sound with veteran engineer James Farber at the board. The musicians managed to record to two-track analog tape the more than an hour's worth of music spread over the four sides of this double 180g LP set. That's getting you money's worth from a single studio session.

Michael Fremer  |  Apr 03, 2014  |  47 comments
Given a choice of great mastering and pressing or packaging true to the original, which would you choose? Yes, I know, why not produce a definitive reissue that offers great mastering and pressing and the original triple gatefold jacket and the original limited edition booklet? But clearly that wasn't in the cards for whoever was in charge in order to bring this project to market within budget so it could be sold at a particular price point, which in this case is $39.00 for the double LP set.

Michael Fremer  |  Aug 21, 2014  |  12 comments
Today we mostly think of Tony Bennett as a jazz singer but back in 1962 Tony Bennett was one of Columbia Records' pop music stars. He had his first #1 hit for the label in 1951 with "Because of You". In 1953 Bennett's "Rags to Riches" topped the Billboard charts for 8 weeks. "Stranger In Paradise" only made it to #2 that year but you couldn't avoid it on the radio and few back then wanted to.

 |  Dec 02, 2015  |  8 comments
At the top of the Costello album heap (not there alone, though), Trust issued in 1981 is Elvis Costello peaking in anger and disillusionment and coupling his discontent to wiry melodic constructions riding atop tautly tensioned rhythms. The album title is obviously ironic.

Michael Fremer  |  Jan 01, 2004  |  1 comments

If you took note of, and admired Judith Owen’s sympathetic back-ups on Richard Thompson’s The Old Kit Bag (Diverse Vinyl DIV004DLP), here’s an opportunity to hear what Ms. Owen can do on her own. The Welsh born singer/songwriter/pianist prepped for this, her third CD, by performing live at an L.A. nightspot called The Joint, backed by Herman Matthews on drums and Sean Hurley on bass. Owen and the rhythm section bravely recorded this set live in the studio in two afternoons and one evening, with a few additional afternoon sessions at the engineer’s home for duets with Richard Thompson and Julia Fordham, and some guest musicians.

Michael Fremer  |  Aug 01, 2019  |  20 comments
Counseloring at Camp Ma-Ho-Ge near White Lake, N.Y. the summer of 1968 was, in the summer of 1969, my ticket to drive to the back of Max Yasgur’s farm traffic free and without delay. I knew the back roads—not that I thought I’d need to use them when we set out for this music and arts festival we’d seen advertised all spring and summer on the walls of the New York City subway system. How could we not go? The advertised line-up was almost too good to believe.

Nicholas Coleman  |  Jul 15, 2021  |  4 comments
Zappa ’88: The Last U.S. Show contains mostly unreleased material capturing Frank’s full Nassau Coliseum Long Island, NY performance plus additional tracks from MD and RI shows. The ’88 band, a well-oiled machine intended to be Frank’s Fox television show “house band”, included some of the finest musicians that had ever worked with him. Naturally, Frank was to have complete show control including guest selection. He intended to choose people with wildly different backgrounds and viewpoints, but at the last minute, Fox pulled the plug.

Brent Raynor  |  Dec 01, 2005  |  1 comments

Having a good music dealer is as important as having a great accountant who knows all the funky tax loopholes, because both can steer you down the right path and save you money. Lets get real here for a minute: even if you were to spend months on end reading all the music rags out there, there's bound to be a lot of albums that'll fly well below your well-heeled radar. Add to that the sheer volume of new music coming down the pipe, and you can be forgiven for not knowing what's the latest album that'll blow your mind.

Michael Fremer  |  Aug 27, 2020  |  10 comments
While you wait for that soon to be released Coltrane Ballads reissue, do yourself a favor and pick up tenor saxophonist Jimmy Heath’s worthy final recording. The younger brother of MJQ bassist Percy Heath passed away at age 93 January 19th, 2020 at home in Loganville, Ga.

Heath was as well-known as a composer and arranger as he was as a performer. He began as an alto saxophonist, emulating Charlie Parker but soon switched to tenor to get out from under Bird’s plumage.

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